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蒂凡尼的早餐英文字幕

2017-09-01 50页 doc 237KB 146阅读

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蒂凡尼的早餐英文字幕蒂凡尼的早餐英文字幕 [00:00.00]片头加载中... 大家论坛影视英语 www.TopSage.com [02:53.12] [02:54.12]Hey, baby, what's going on here? [02:56.48] [02:56.48]Oh, hi! [02:58.16] [03:18.08]Miss Golightly! [03:19.88] [03:22.36]Someday... Someday! [03:25.00] [03:25.00]Miss Golightly! [...
蒂凡尼的早餐英文字幕
蒂凡尼的早餐英文字幕 [00:00.00]片头加载中... 大家论坛影视英语 www.TopSage.com [02:53.12] [02:54.12]Hey, baby, what's going on here? [02:56.48] [02:56.48]Oh, hi! [02:58.16] [03:18.08]Miss Golightly! [03:19.88] [03:22.36]Someday... Someday! [03:25.00] [03:25.00]Miss Golightly! [03:26.72] [03:29.12]You take off for the powder room. That's the last I see you. [03:33.20] [03:33.20]- Now, really, Harry... - Harry was the other guy. [03:36.44] [03:36.44]I'm Sid. Sid Arbuck. You like me, remember?. [03:40.16] [03:40.16]I protest! [03:42.40] [03:42.40]Darling, I'm sorry, but I lost my key. [03:45.80] [03:45.80]That was two weeks ago. [03:47.60] [03:47.60]You cannot go on keep ringing my bell. [03:50.24] [03:50.24]You disturb me! You must have a key made! [03:53.68] [03:53.68]It does no good. I lose them them all. [03:55.80] [03:55.80]- Come on, baby, you like me. - I worship you, Mr. Arbuck. [03:59.64] [03:59.64]- Good night, Mr. Arbuck. - Wait! What is this? [04:02.36] [04:02.36]You like me. I'm a liked guy. [04:04.84] [04:04.84]You like me. I picked up the check for five people... [04:08.00] [04:08.00]... your friends. I've never seen them before. [04:09.56] [04:09.56]When you asked for change for the powder room I give you a $50 bill. [04:13.32] [04:13.32]That gives me some rights. [04:15.00] [04:16.04]In 30 seconds, I going to call the police! All the time, a disturbance! [04:20.60] [04:20.60]I get no sleep! [04:22.12] [04:22.12]I got to get my rest! I'm an artist! [04:24.95] [04:24.95]I going to call vice squad on you! [04:27.48] [04:27.48]Don't be angry, dear man, I won't do it again. [04:30.95] [04:30.95]And I might let you take those pictures. [04:33.20] [04:34.95]When? [04:36.24] [04:36.24]Sometime. [04:37.88] [04:39.76]Anytime. [04:41.60] [04:41.60]Good night. [04:43.04] [06:04.72]I'm sorry to bother you. But I couldn't get the downstairs door open. [06:08.24] [06:10.76]I guess they sent me the upstairs key. [06:13.12] [06:13.12]I couldn't get the downstairs door open. [06:15.56] [06:17.12]I said, I guess they sent me... Uh, upstairs key. [06:21.56] [06:21.56]I couldn't get the downstairs door open. Sorry to wake you. [06:25.40] [06:25.40]That's quite all right. [06:27.68] [06:27.68]It could happen to anyone... Quite frequently does... Good night. [06:30.88] [06:30.88]I... I hate to... uh... [06:32.12] [06:34.08]I hate to bother you, but if I could ask one more favor... could I use the phone? [06:38.04] [06:40.32]- Sure. Why not?. - Thank you. [06:45.24] [06:46.76]Well, this is a... [06:48.92] [06:48.92]... nice little place you've got here. [06:51.12] [06:51.12]You just moved in, too, huh? [06:53.64] [06:53.64]No. I've been here around a year. [06:55.96] [06:55.96]The phone's over there. [06:58.36] [06:58.36]Well, it was. [07:01.04] [07:01.04]Oh, I remember. [07:02.60] [07:02.60]I stuck it in the suitcase. Kind of muffles the sound. [07:06.40] [07:12.76]I'm... sorry. [07:15.08] [07:15.08]Is he all right? [07:16.56] [07:16.56]Sure, sure, he's OK. Aren't you cat? [07:19.48] [07:19.48]Poor old cat. [07:21.80] [07:21.80]Poor slob. Poor slob without a name. [07:25.24] [07:25.24]I don't have the right to give him one. [07:28.16] [07:28.16]We don't belong to each other. We just took up one day. [07:31.76] [07:31.76]I don't want to own anything, [07:33.64] [07:33.64]until I find a place where me and things go together. [07:36.88] [07:36.88]I'm not sure where that is, but I know what it's like. [07:40.20] [07:40.20]It's like Tiffany's. [07:42.80] [07:42.80]Tiffany's? You mean the jewelry store? [07:45.40] [07:45.40]That's right. [07:47.28] [07:47.28]I'm crazy about Tiffany's. [07:50.80] [07:50.80]Listen... You know those days when you get the mean reds? [07:55.36] [07:55.36]The mean reds? You mean, like the blues? [07:58.68] [07:59.80]The blues are because you're getting fat or it's been raining too long. You're just sad, that's all. [08:04.52] [08:04.52]The mean reds are horrible. [08:06.40] [08:06.40]Suddenly you're afraid, and you don't know what you're afraid of. [08:10.32] [08:10.32]- Don't get you ever get that feeling? - Sure. [08:13.20] [08:13.20]When I get it, what does any good, [08:16.08] [08:16.08]is to jump into a cab and go to Tiffany's. [08:18.68] [08:18.68]Calms me down right away. [08:20.84] [08:20.84]The quietness, the proud look... [08:23.04] [08:23.04]Nothing very bad could happen to you there. [08:24.88] [08:24.88]If I could find a real-life place, [08:27.40] [08:27.40]that made me feel like Tiffany's, then... [08:30.32] [08:30.32]Then I'd buy some furniture and give the cat a name. [08:34.36] [08:36.40]I'm sorry. You wanted something Oh, the telephone. [08:40.48] [08:40.48]I'm supposed to meet somebody. [08:42.36] [08:42.36]Isn't this 10:00 thursday morning? [08:45.88] [08:45.88]I just go off a plane from Rome, and I'm not too sure. [08:48.67] [08:48.67]Thursday... Is this thursday? [08:51.64] [08:51.64]- I think so. - Thursday! It can't be! [08:54.12] [08:54.12]It's too gruesome! [08:56.08] [08:58.12]Well, uh... what's so gruesome about thursday? [09:01.67] [09:01.67]Nothing, except I never remember when it's coming up. [09:04.40] [09:04.40]Wednesdays I generally just don't go to bed, [09:06.88] [09:06.88]because I have to be up to catch the 10:45. [09:09.12] [09:09.12]They're so particular about visiting hours. [09:11.55] [09:11.55]Be a darling and look under the bed [09:14.40] [09:14.40]for a pair of alligator shoes. [09:16.72] [09:19.08]I've got to do something about the way I look. [09:21.32] [09:21.32]A girl can't go to Sing-Sing with a green face. [09:24.44] [09:24.44]Sing-Sing? [09:27.55] [09:27.55]I always thought it was a ridiculous name for a prison. Sing-Sing, I mean. [09:30.24] [09:30.24]Sounds more like an opera house, or something. [09:32.55] [09:32.55]Black, alligator. [09:34.76] [09:34.76]All the visitors make an effort to look their best. [09:39.00] [09:39.00]Actually, it's very touching, all the women wearing their prettiest things. [09:41.55] [09:41.55]I love them for it, and I love the kids. [09:45.64] [09:45.64]It should be sad seeing kids there, but it isn't. [09:48.55] [09:48.55]They have ribbons in the hair and lots of shine on their shoes. [09:53.32] [09:53.32]As I understand it, [09:54.76] [09:54.76]we're getting you ready to visit somebody at Sing-Sing. [09:57.48] [09:57.48]You could always tell what kind of a person a man thinks you are [10:01.08] [10:01.08]By the earrings he gives you. [10:03.08] [10:03.08]I must say, the mind reels. [10:05.00] [10:05.00]- May I ask whom? - Whom I'm going to visit? [10:08.67] [10:08.67]I guess that's what I mean. [10:10.64] [10:10.64]I don't know that I should discuss it. [10:12.84] [10:12.84]He never told me not to. [10:15.00] [10:15.00]Cross your heart and kiss your elbow. [10:17.28] [10:17.28]I'll try. [10:19.20] [10:19.20]- You probably read about him, Sally Tomato -Sally Tomato. [10:22.96] [10:22.96]Don't look so shocked. [10:24.32] [10:24.32]They couldn't prove he was in the Mafia, [10:26.52] [10:26.52]much less head of it. [10:28.44] [10:28.44]They only proved he cheated at his income taxi. [10:31.32] [10:31.32]Anyway, he's a darling old man. [10:33.44] [10:33.44]He wasn't my lover or anything. [10:35.76] [10:35.76]I never knew him until after he was in prison. [10:39.08] [10:39.08]I've gone to see him every thursday for seven months. [10:41.79] [10:41.79]I'd go even if he didn't pay me. [10:44.48] [10:44.48]- Shoes. - I could only find one. [10:47.52] [10:50.12]- He pays you? - His lawyer does. [10:53.40] [10:53.40]If he's a lawyer, which I doubt. He doesn't have an office. [10:56.12] [10:56.12]Only an answering service. [10:57.92] [10:57.92]He always wants to meet at hamburguer heaven. [11:00.92] [11:02.52]There you are, you sneak. Thank you. [11:04.64] [11:04.64]You're welcome. [11:06.16] [11:06.16]Dress... Dress... [11:08.48] [11:08.48]Here we are... Bag. And a hat, too. There we are. [11:13.48] [11:13.48]Anyway, about seven months ago, this so called lawyer, Mr. O'Shaughnessy, [11:16.52] [11:16.52]asked me how I'd like to cheer up a lonely man [11:19.64] [11:19.64]and pick up a hundred a week. [11:22.12] [11:22.12]I told him: "Look darling, you've got the wrong Holly Golightly." [11:25.44] [11:25.44]I do as well on trips to the powder room. [11:28.16] [11:28.16]Any gentleman will give $50 for the powder room. [11:32.12] [11:32.12]And cab fare... that's another 50. [11:34.32] [11:34.32]Then he said his client was Sally Tomato. [11:37.00] [11:37.00]Sally had seen me somewhere, [11:40.08] [11:40.08]and had admired me '?la distance'. [11:42.24] [11:42.24]So wouldn't it be a good deed to visit him once a week?. [11:45.16] [11:45.16]How could I say no? It was wildly romantic. [11:48.72] [11:48.72]How do I look? [11:50.84] [11:52.00]Very good. I must say I'm amazed. [11:55.24] [11:55.24]I could never have done it without you. [11:57.80] [11:57.80]- Bag... - Call me anytime. [12:00.64] [12:01.72]I'm just upstairs, or I will be as soon as I get moved in. [12:05.64] [12:05.64]Bye, cat. [12:07.16] [12:11.84]Uh... you mean he gives you $100 for an hour's conversation? [12:16.56] [12:16.56]Mr. O'Shaughnessy does when I meet him and give him the weather report. [12:20.68] [12:20.68]It's none of my business, but it sounds like you could get in trouble. [12:24.76] [12:24.76]Hold this for me. [12:26.68] [12:28.72]And what do you mean weather report? [12:31.56] [12:31.56]Just a message I give Mr. O'Shaughnessy, [12:34.04] [12:34.04]so he knows I've really been up there. [12:36.32] [12:36.32]Sally tells me things to say like, uh... [12:39.24] [12:39.24]"There's a hurricane in Cuba"... [12:41.08] [12:41.08]"Cloudy over Palermo"... things like that. [12:44.04] [12:44.04]You don't have to worry. I've taken care of myself a long time. [12:46.80] [12:55.00]Taxi! [12:56.32] [13:03.04]- I never could do that. - It's easy. [13:06.12] [13:13.64]Paul. [13:15.32] [13:15.32]I'm late. I know it. [13:18.68] [13:20.84]Where you locked out? Didn't you get the key? [13:23.72] [13:23.76]Oh, darling, I'm sorry. [13:26.68] [13:27.96]No, I got the key, all right. [13:29.76] [13:29.76]Miss Golightly, my neighbor, kindly let me in. [13:33.28] [13:33.28]Miss Golightly on her way to Sing-Sing. [13:36.00] [13:36.00]Just visiting, of course. [13:37.36] [13:37.36]Miss Golightly, [13:38.68] [13:38.68]Mrs. Falenson, my... decorator. [13:41.28] [13:41.28]- How do you do? - How do you do? [13:43.96] [13:44.08]Oh, darling. Let me look at you. [13:48.68] [13:48.68]- Are you through? - Was the flight absolutely ghastly? [13:51.96] [13:51.96]Grand Central Station. And step on it, darling. [13:55.48] [13:56.88]Is it really only three weeks since I left you in Rome? [14:00.76] [14:00.76]Seems like years. [14:02.28] [14:02.28]- You seen the apartment? - Not yet. [14:05.04] [14:05.04]It was wicked of me, but I couldn't resist. [14:07.88] [14:07.88]I fixed it up without you. [14:10.00] [14:10.00]I think it's darling, [14:11.52] [14:11.52]but if you absolutely hate it, we can rip everything out and start from scratch. [14:16.68] [14:30.40]Hey, baby! Where you going? [14:32.80] [14:34.32]come on, baby. Open the door. [14:37.68] [14:38.76]Aw, be a pal. [14:41.64] [14:41.64]You're breaking up a beautiful party. [14:43.80] [14:45.48]Come on, baby, open the door. [14:48.32] [14:48.32]Hey, the band's swinging! [14:51.24] [14:51.24]Aw, come on, baby. [14:53.88] [14:56.88]Miss Gorightly! Once again I must protest! [14:59.84] [14:59.84]If you don't stop that phonograph now, [15:02.76] [15:02.76]I'm going to call the Police Department! [15:05.52] [15:06.56]Yeah. That more better. [15:09.48] [15:13.04]What's the matter, baby? [15:14.88] [15:19.76]Aw, come on. You're a great kid. Open the door. [15:23.12] [15:25.16]Come on, baby. I'm waiting for you. [15:28.08] [16:25.00]- It's all right, it's only me. - Uh, wait a minute. Miss, uh... [16:29.04] [16:29.04]Golightly. Holly Golightly. [16:31.16] [16:31.16]I live downstairs. We met this morning, remember? [16:33.80] [16:33.80]Yeah. [16:35.28] [16:36.40]It's all right. She's gone. [16:37.84] [16:39.36]She works late hours for a decorator. [16:42.84] [16:42.84]There's the most terrifying man downstairs. [16:45.36] [16:45.36]He's sweet when he isn't drunk, but... [16:47.24] [16:47.24]Let him start lapping up the 'vino' and, oh, golly, 'quel' beast! [16:50.28] [16:50.28]It got so tiresome, I went out the window. [16:53.40] [16:58.20]You can throw me out if you want, [17:01.00] [17:01.00]but you looked so cozzy in here and your decorator friend had gone home, [17:04.04] [17:04.04]and it was getting so cold on the fire scape. [17:06.59] [17:07.83]And I always heard people in New York [17:10.56] [17:10.56]never get to know their neighbors. [17:13.40] [17:13.40]Well, how was Sing-Sing? [17:17.68] [17:17.68]Fine. I made the train and everything. [17:21.88] [17:21.88]And what's the weather report? [17:23.88] [17:23.88]"Small-craft warnings," [17:25.64] [17:25.64]"Block lsland to Hatteras." Whatever that means. [17:28.68] [17:31.76]You know, you're so sweet. You really are [17:34.92] [17:36.11]And you look a little like my brother, Fred. [17:39.24] [17:39.24]- Do you mind if I call you Fred? - Not at all. [17:42.16] [17:47.59]300. She's very generous. [17:49.64] [17:50.28]Is that by the week, the hour, or what? [17:52.92] [17:52.92]The party is over. Out. [17:54.40] [17:54.40]Oh, Fred. Darling Fred, I'm sorry. [17:57.68] [17:57.68]I didn't mean to hurt your feelings. Don't be angry. [18:01.83] [18:01.83]I was just letting you know I understand. [18:04.48] [18:04.48]I understand completely. [18:06.92] [18:06.92]Stick around. Make yourself a drink. [18:09.52] [18:09.52]- Or throw me my robe, I'll make you one. -Stay where you are. [18:11.83] [18:11.83]You must be absolutely exhausted. [18:14.52] [18:14.52]I mean, it's late, [18:16.04] [18:16.04]and you were sound asleep and everything. [18:18.96] [18:20.40]I suppose you think I'm very brazen or 'tr閟 fou' or something. [18:23.72] [18:23.72]You're no fouer than anybody else. [18:25.64] [18:25.64]Yes, you do. Everybody does. And I don't mind. [18:28.52] [18:28.52]It's useful being top banana in the shock department [18:31.72] [18:34.68]What do you do, anyway? [18:36.56] [18:36.56]- I'm a writer, I guess. - You guess? Don't you know? [18:41.16] [18:41.16]OK, positive statement. Ringing affirmative. [18:44.28] [18:44.28]I'm a writer. [18:46.16] [18:46.76]The only writer I've been out with is Benny Shacklett. [18:50.64] [18:50.64]He's written an awful lot of TV stuff, but 'quel' rat! [18:54.80] [18:54.80]Tell me. Are you a real writer? [18:57.28] [18:57.28]I mean, does anybody buy what you write or publish it or anything? [19:01.28] [19:01.28]They bought what's in that box. [19:03.44] [19:05.56]Yours? [19:06.59] [19:07.88]All these books? [19:09.16] [19:09.16]There's just one book, 12 copies of it. [19:12.68] [19:12.68]"Nine lives" by Paul Varjak. [19:16.16] [19:16.16]- They're stories. - Hmm... Nine of them. [19:19.52] [19:20.64]Tell me one. [19:23.28] [19:23.28]They're not the kind of stories you can really tell. [19:25.68] [19:25.68]Too dirty? [19:27.83] [19:28.56]Yeah, I... suppose they're dirty too, [19:31.16] [19:31.16]but only incidentally. [19:32.96] [19:32.96]Mainly they're angry, sensitive... intensively felt, [19:37.64] [19:37.64]and that dirtiest of all dirty words... Promising. [19:40.92] [19:40.92]So said The Times Book Review October 1, 1956. [19:45.00] [19:45.72]- 1956? - That's right. [19:48.28] [19:48.96]This is kind of a ratty question, but what have you written lately? [19:52.72] [19:53.83]Lately, I've been working on a novel. [19:56.68] [19:56.68]- Lately, since 1956? - A novel takes a long time. [19:59.72] [19:59.72]- I want it exactly right. - So, not more stories. [20:04.28] [20:04.28]The idea is I'm supposed to not fritter my talent on little things. [20:08.28] [20:08.28]I'm supposed to be saving it for the big one. [20:10.96] [20:10.96]Do you write every day?? [20:13.11] [20:13.11]Sure. [20:14.48] [20:14.48]- Today? - Sure. [20:16.96] [20:16.96]- It's a beautiful typewriter. - Of course. [20:20.24] [20:20.24]It writes nothing but sensitive, intensely felt promising prose. [20:23.35] [20:23.35]- There's no ribbon in it. - There isn't? [20:26.72] [20:26.72]No. [20:28.88] [20:33.64]Something you said this morning has been bothering me all day. [20:37.40] [20:37.40]What's that? [20:39.00] [20:39.00]Do they really give you $50 whenever you go to the powder room? [20:42.35] [20:42.35]Of course. [20:44.11] [20:44.11]You must do very well. [20:46.48] [20:46.48]I'm trying to save, but I'm not very good at it. [20:50.64] [20:54.68]You know? You do look a lot like my brother Fred. [20:57.96] [20:57.96]I haven't seen him since I was 14. That's when I left home. [21:02.35] [21:02.35]He was already 6'2". [21:05.80] [21:05.80]It must have been the peanut butter that did it. [21:08.96] [21:08.96]Everybody thought he was dotty, the way he gorged himself on peanut butter. [21:13.04] [21:13.04]But he wasn't dotty, [21:15.76] [21:15.76]just sweet and vague and... terribly slow. [21:19.68] [21:21.52]Poor Fred. He is in the Army now. [21:25.96] [21:25.96]That's really the best place for him until I can get enough money saved. [21:28.40] [21:29.52]- And then? - And then Fred and I... [21:33.88] [21:33.88]I went to Mexico once. [21:36.76] [21:36.76]It's a wonderful place for racing horses. [21:40.04] [21:40.04]I saw one place near the sea that... [21:44.11] [21:44.11]Fred's very good with horses. [21:46.88] [21:46.88]Even land in Mexico costs something. [21:49.88] [21:49.88]No matter what I do, there's never more than $200 in the bank. [21:55.08] [21:55.08]It can't be 4:30. [21:57.04] [21:58.48]It just can't. [22:00.48] [22:04.12]Do you mind if I just get in with you for a minute? [22:08.32] [22:10.20]It's allright. Really, it is. [22:13.16] [22:13.16]We're friends, that's all. [22:15.48] [22:19.28]- We are friends, aren't we? - Sure. [22:23.48] [22:31.04]OK, let's don't say another word. [22:35.52] [22:35.52]Let's just go to sleep. [22:37.92] [22:59.84]Where are you, Fred? [23:02.08] [23:03.76]It's cold. [23:05.48] [23:09.96]There... There's snow in the wind. [23:12.76] [23:13.84]What is it? What's the matter? [23:15.96] [23:19.48]Why are you crying? [23:22.08] [23:27.20]If we're going to be friends, let's just get one thing straight right now. [23:31.40] [23:31.40]I hate snoops. [23:33.40] [24:22.60]- Yeah. - Lucille, darling? [24:26.32] [24:26.32]I've been trying desperately to reach you. [24:28.92] [24:28.92]Bill just got back... [24:30.80] [24:30.80]A day early, the beast... [24:32.60] [24:32.60]So, I'm afraid I'll have to beg off. [24:35.04] [24:35.04]You'll explain to the rest of the girls? [24:38.16] [24:38.16]You are a darling. [24:39.96] [24:39.96]Maybe we can have a long lunch tomorrow. [24:43.44] [24:43.44]- I'll phone you in the morning. - Whatever you say. [24:47.72] [24:47.72]You'll manage to survive without me tonight? [24:50.56] [24:50.56]Sure. I might even take a wild boyish flying at writing. [24:55.36] [24:56.36]- Good night. - Good night. [24:58.64] [25:22.24]Got yourself stuffed, huh, Polly, baby? [25:25.84] [25:25.84]Serves you right, bigmouth. [25:27.76] [25:32.24]'Buon giorno'. [25:35.08] [25:35.08]Aren't you drinking? [25:37.00] [25:39.28]You have pockets there or something? What do you go by? [25:43.92] [25:43.92]What's your name? What do you call yourself? [25:46.76] [25:46.76]- Irving. - Oh, yes. Perfect, perfect. [25:50.00] [25:50.00]That's wonderful. [25:51.56] [25:53.12]I'll be right back, Irving, baby. [25:55.76] [26:02.16]Kid's still in the shower. You expected? [26:04.88] [26:04.88]I was invited. That what you mean? [26:07.12] [26:07.12]Don't get all tense and soft. Come in. [26:09.96] [26:09.96]It's a party. Lot of characters come who aren't expected. [26:12.68] [26:12.80]I'll buy you a drink. [26:14.12] [26:14.12]- You drink? - Yeah. [26:16.00] [26:16.12]- Then I'll buy you a drink. - OK. [26:18.28] [26:18.28]Hey, honey, your skirt's split here. [26:20.76] [26:20.76]- What do you drink? - Bourbon. [26:23.28] [26:23.28]- Bourbon... on the rocks? - Yeah... No, with water. [26:26.00] [26:26.00]- You want rocks first? - Yeah. Not too much. [26:29.32] [26:29.32]All right. That'll set you free. [26:31.68] [26:31.68]- Know the kid long? - Not very. I live upstairs. [26:35.56] [26:35.56]Look at this place. What a place It's unbelievable. What a dump! [26:39.36] [26:39.36]What do you think? [26:40.84] [26:40.84]- About what? - Is she or isn't she? [26:44.28] [26:44.28]Wait a minute. Hold it. [26:46.40] [26:48.28]- Harriet! - Hi, J.B. [26:50.28] [26:50.28]"J.B."? What's that? [26:51.64] [26:51.64]- You know Gil. - Yeah. How are you? [26:54.48] [26:54.48]- How about a drink? - In the kitchen. You'll find everything you need. [26:57.84] [26:59.08]So... Oh, honey, that is you. [27:02.92] [27:02.92]Fred, darling, I'm so glad you could come! [27:05.56] [27:05.56]I brought you a house present. Something for the bookcase. [27:08.20] [27:08.20]Oh, you're sweet. [27:10.96] [27:10.96]Doesn't that look nice? Give me a cigarette, O.J. [27:13.88] [27:13.88]-Sure, sure... - O.J.'s a great agent. He knows a lot of phone numbers. [27:17.68] [27:17.68]What's Jerry Wald's phone number? [27:19.64] [27:19.64]Come on, lay off. [27:21.16] [27:21.16]Darling, I want you to call him and tell him what a genious Fred is. [27:24.04] [27:24.04]Stop blushing, Fred. You didn't say it, a genious, I did. [27:27.24] [27:27.24]So, quit stalling, O.J. Just tell me what are you going to do to make Fred rich and famous. [27:31.80] [27:31.80]Let Fred and me settle that. Huh, puppy? [27:34.60] [27:34.60]OK, but just remember... I'm the agent. [27:36.88] [27:36.88]He's already got a decorator. I'm the agent. [27:40.72] [27:40.72]Hold it. [27:42.12] [27:42.12]Hi, boys. Come on in. [27:44.16] [27:44.16]Everything you need's in the kitchen. [27:46.44] [27:48.64]So, listen, Fred, baby... What...? [27:51.52] [27:51.52]- No, it's Paul, baby. - I thought it was Fred, baby. - No. - Oh, it is. I thought it was Paul, baby... [27:55.56] [27:55.56]- Answer the question. Is she or isn't she? - Is she or isn't she what? [27:58.56] [27:58.56]A phony. [28:00.00] [28:00.00]I don't know. I don't think so. [28:02.60] [28:02.60]You don't, huh? Well, you're wrong... She is. [28:05.80] [28:05.80]But on the other hand you're right, because she's a real phony. You know why? [28:10.68] [28:10.68]Because she honestly believes all this phony junk. [28:13.60] [28:13.60]Now, I sincerely like the kid. I do. [28:16.24] [28:16.24]I'm sensitive, that's why. [28:17.96] [28:17.96]You got to be sensitive to like the kid. You know what I mean. [28:20.68] [28:20.68]It's a streak of the poet. You know what I mean. [28:22.96] [28:22.96]You know her long? [28:24.48] [28:24.48]I discovered her, I'm O.J. Berman She was just a kid... [28:28.24] [28:28.24]Lot of style and class, you know... [28:31.00] [28:31.00]- Lot of what? - Class. Yes, she had a lot of class. [28:33.96] [28:33.96]But when she opened the mouth you didn't know what she was talking about... Whether she was a hillbilly or an okie. [28:37.56] [28:37.56]- Know how long it took to me to smooth that accent? - No. - I'll tell you how long. [28:40.36] [28:40.36]One year. Know how we did? We gave her french lessons. [28:44.28] [28:44.28]Figured once she could imitate french, [28:46.60] [28:46.60]she could imitate english. [28:48.12] [28:48.12]Finally, I arranged for a little screen test. [28:51.00] [28:51.00]Well, the night before the screen... I've got to kill myself... The night before the screen, the phone rings, I pick it up... [28:55.12] [28:55.12]"This is O.J., speak" and she says: "Hi, this is Holly" "Holly, you sound far away". And she says: "I'm in New York." [29:00.20] [29:00.20]"you can't be in New York. You have a screen test tomorrow." [29:02.80] [29:02.80]She says: "I'm in New York because I've never been in New York before" "Get yourself in a plane! Get back!" She says: "I don't want to." [29:06.88] [29:06.88]"What do you mean? What do you want?" She says: "That's what you want." [29:10.56] [29:10.56]And she says: "when I find out, I'll let you know." Bang! [29:14.04] [29:14.04]- So look, Fred, baby... - It's Paul, baby. [29:16.56] [29:16.56]Sure. Don't tell me she isn't a phony. [29:19.80] [29:19.80]Irving, honey, where you been? [29:22.68] [29:39.08]Mike, darling, I tried reaching you all day long. [29:43.16] [29:43.16]Your answering service doesn't answer. [29:45.08] [29:45.08]That's the trouble with answering services... [29:47.80] [29:53.88]Well, I guess that's... and after all that she said... [29:56.16] [30:06.92]- Time, darling. - What? [30:08.76] [30:08.76]Time? [30:09.76] [30:09.76]- You have a watch? - No. [30:11.88] [30:11.88]- Oh, let's see. 18:45. - Thank you. [30:14.52] [30:25.68]Really, was that necessary? [30:27.76] [30:42.56]This is some party. Who are all these people, anyhow? [30:46.44] [30:46.44]who knows? The word gets out. [30:48.72] [30:48.72]You don't mind, don't you, darling? [30:50.84] [30:52.04]Reinforcements. [30:53.20] [30:57.80]Right in there. [30:59.24] [31:12.28]Holly? [31:13.72] [31:15.80]Holly, darling! [31:18.12] [31:18.12]- What's that? - Mag Wildwood. [31:22.40] [31:22.40]She is a model, believe it or not, and a thumping bore. [31:26.32] [31:26.32]But just look at the goodies she brought with her. [31:28.76] [31:30.84]He's all right, [31:32.36] [31:32.36]if you like dark, handsome, rich-looking men [31:34.72] [31:34.72]with passionate natures and too many teeth. [31:37.08] [31:37.08]I mean the other one. [31:39.16] [31:42.08]- the other one? - He's Rusty Trawler. [31:44.84] [31:47.32]The ninth richest man in America under 50. [31:50.88] [31:52.40]Now, that, indeed, is a remarkable piece of information to have at your fingerprints. [31:56.24] [31:56.24]I keep track of this things. [31:58.64] [31:58.64]- Excuse me. you owe me 47... - Hold this a minute, darling. [32:03.32] [32:05.16]Mag, darling, what are you doing here? [32:07.92] [32:07.92]I was upstairs working with Yunioshi... [32:10.40] [32:10.40]Easter stuff for The Bazaar. [32:12.68] [32:12.68]then these two nice boys came to pick me up. [32:16.52] [32:16.52]It was a mistake, of course. My wires get crossed somewhere. [32:19.96] [32:19.96]They were both very sweet about it. [32:22.88] [32:22.88]May I present Jos?Silva Pereira? [32:25.16] [32:25.16]He's from Brazil... Miss Golightly... [32:27.56] [32:30.92]Very kind of you, Miss Golightly, to allow me to attend your party. [32:34.96] [32:34.96]I'm so interested in north-american culture. [32:38.04] [32:38.04]I've been already to the Statue of Liberty [32:40.92] [32:40.92]and to the Restaurant Automatique. [32:42.84] [32:42.84]But this is the first time [32:45.32] [32:45.32]I am in a typical north-americansom home. [32:48.20] [32:48.20]Wouldn't he just melt in your mouth? [32:50.48] [32:50.48]And this is Mr. Rusty Trawler. [32:53.40] [32:53.40]You're not vexed at me for bringing him? [32:56.24] [32:56.24]- Of course not, darling. - I'm glad. [32:58.76] [32:58.76]Now, who's going to bring me a bourbon? [33:01.64] [33:01.64]- O.J. - Yeah. [33:03.76] [33:03.76]Would you get Miss Wildwood a drink? [33:05.88] [33:05.88]which one's Miss Wildwood? [33:07.24] [33:07.24]Mr. Berman, we haven't been formally introduced, [33:10.28] [33:10.28]but I'm Mag Wildwood from Wildwood, Arkansas. [33:14.12] [33:14.12]That's...hill country. [33:15.44] [33:15.44]Now, you just make yourself righ at home. [33:18.32] [33:18.32]Oh, don't trouble yourself. [33:19.84] [33:19.84]I'm contented to observe the customs of your country. [33:23.12] [33:23.12]OK, you do that. [33:24.64] [33:24.64]Now come along, Mr. Trawler. [33:26.56] [33:26.56]Let's see what we can find to amuse you. [33:29.36] [34:41.60]I wasn't supposed to pick you up. [34:43.36] [34:43.36]You said you would... [34:44.96] [34:44.96]I wasn't supposed to pick you up. [34:47.67] [34:51.28]Miss Golightly? [34:52.56] [34:54.44]This time I'm awarning you! [34:56.28] [34:56.28]I am definitely this time going to call the police! [35:00.40] [35:16.71]Good evening! [35:19.28] [35:19.28]Is it something important? [35:20.60] [35:20.60]No. Just the guy upstairs complaining about the noise. [35:24.44] [35:24.44]He's angry? [35:25.84] [35:25.84]He did mention something about calling the police. [35:28.56] [35:28.56]Oh, the police... The police? [35:31.04] [35:31.04]That i cannot have. I'd better look for Miss Wildwood and go. [35:34.64] [35:37.56]To think I'd find a beau of mine [35:40.44] [35:40.44]mousing after a piece of cheap Hollywood trash. [35:43.32] [35:43.32]Mag, darling, you're being a bore. [35:45.56] [35:45.56]Shut up! [35:47.44] [35:47.44]You know what's going to happen you? [35:50.71] [35:50.71]I'm going to march you over the zoo and feed you to the yak... [35:56.19] [35:56.19]Just as soon as I finish this drink. [35:58.96] [36:07.04]Timber! [36:09.52] [37:36.36]Sorry. [37:38.32] [37:39.84]- Oh, good evening, Ed. - It's Paul, baby. [37:42.60] [37:42.60]You remember Irving, don't you? [37:43.96] [37:43.96]- This is Jos? - Nice to meet you. [37:48.00] [37:48.00]Wonderful seeing you. [37:49.36] [37:49.36]Jewel thieves. [37:50.80] [38:17.12]Sally helps me with my accounts. [38:19.28] [38:19.28]I have no head for figures at all. [38:21.92] [38:21.92]I'm trying desperately to save some money. [38:24.60] [38:24.60]I just can't seem to. [38:26.36] [38:26.36]He makes me write down everything in here. [38:29.19] [38:29.19]What I get, what I spend. [38:31.36] [38:31.36]I used to have a checking account. He made me get rid of that. [38:34.71] [38:35.84]He feels, for me, it's better to operate on a cash basis, taxwise. [38:40.84] [38:40.96]Someday Mr. Fred, you take this book, turn it to a novel. [38:45.67] [38:45.67]Everything is there. Just fill in the details. [38:49.48] [38:49.48]Would be good for some laughs. [38:51.28] [38:51.28]No. No, I don't think so. [38:53.56] [38:53.56]This is a book would break that heart. [38:56.44] [38:56.44]"Mr. Fitzsimmons... powder room, $50." [39:00.12] [39:00.12]"Less $18... Repair one black satin dress." [39:05.60] [39:05.60]"Cat food, 27 cents." [39:07.84] [39:07.84]Sally, darling, please stop. You're making me blush! [39:11.84] [39:11.84]But you're right about Jack Fitzsimmons. He's an absolute rat. [39:15.12] [39:15.12]But I guess, of course, I don't know anybody but rats. [39:18.60] [39:18.60]Except, of course, Fred here. [39:20.92] [39:22.23]You do think Fred is nice, don't you? [39:23.84] [39:23.84]For you... I hope he is. [39:27.36] [39:36.71]Give me a kiss, goodbye, uncle Sally. Till next week. [39:40.56] [39:40.56]Goodbye, uncle Sally. [39:41.92] [39:41.92]Goodbye, and don't forget to send that book. [39:44.60] [39:44.60]I won't. [39:46.67] [39:46.67]Oh, what about the weather report? [39:49.84] [39:49.84]Oh, yes. [39:50.84] [39:50.84]"Snow flurries expected this weekend in New Orleans." [39:54.71] [39:57.84]Snow flurries expected this weekend in New Orleans? [40:02.92] [40:02.92]Isn't that just the weirdest? [40:04.76] [40:04.76]I bet they haven't had snow in New Orleans for a million years. [40:08.60] [40:08.60]I don磘 know how he thinks them up. [40:11.19] [41:55.12]- What you doing? - Writing. [41:57.56] [41:57.56]Good. [41:58.88] [42:07.60]Well, hello. [42:10.08] [42:10.08]- What's wrong? - I don't know. [42:14.00] [42:14.00]It's probably nothing. [42:17.28] [42:17.28]I wnat to see if he's still there. [42:19.48] [42:19.48]See if who's still there? What are you talking about? [42:23.23] [42:25.52]Look. [42:27.12] [42:33.84]See? I noticed him yesterday afternoon. [42:37.08] [42:38.12]I didn't say anything. I didn't want to sound neurotic, but... [42:41.32] [42:41.32]- When he's there again today... - Who do you think he is? [42:44.36] [42:44.36]It could be anybody, of course, [42:46.67] [42:46.67]But what crossed my mind was... [42:49.12] [42:49.12]Suppose Bill's having us watched, huh? [42:52.23] [42:54.84]OK, I'll take care of this. [42:57.00] [42:58.08]No. No, don't. Please. [43:01.36] [43:01.36]If that's what it is, you'll only make everything worse. [43:04.12] [43:04.12]I'll be careful. Wait here. [43:05.80] [43:05.80]Darling, please don't. I don't think you should. [43:08.67] [43:08.67]Now, take it easy. [43:10.12] [43:10.12]I just want to find out what this is all about. [43:13.76] [44:53.28]All right, what do you want? [44:55.40] [44:56.48]Son, I need a friend. [44:59.32] [45:11.44]That's me, that's her, [45:13.88] [45:13.88]that's her brother, Fred. [45:16.08] [45:23.76]You are Holly's father? [45:25.32] [45:27.04]Her name ain't Holly. [45:29.00] [45:29.00]She was Lula Mae Barnes, [45:31.16] [45:31.16]was till she married me. [45:33.12] [45:33.12]I'm her husband, Doc Golightly. [45:34.96] [45:37.80]Paul Varjak. [45:39.16] [45:40.36]I'm a horse doctor. Animal man. [45:42.96] [45:42.96]Do some farming, too, near Tulip, Texas. [45:46.84] [45:46.84]Her brother Fred's getting out of the Army soon. [45:50.00] [45:50.00]Lula Mae belong home with her husband, and her children. [45:53.48] [45:53.48]children? [45:55.56] [45:55.56]- Them's her children. - She's got four children? [45:58.92] [45:58.92]Now, son, I didn't claim they was her natural-born children. [46:03.08] [46:03.08]Their own precious mother... Precious woman... [46:05.68] [46:05.68]Passed away July 4th, Independence Day, 1955. [46:10.08] [46:10.08]The year of the drought. When I married Lula Mae, she was going on 14. [46:13.84] [46:13.84]You might think the average person going 14 wouldn't know her own mind. [46:18.64] [46:18.64]But you take Lula Mae, [46:21.12] [46:21.12]she was an exceptional person. [46:23.12] [46:27.20]She just plumb broke our hearts when she run off like she done. [46:31.92] [46:31.92]Just plain had no reason. [46:34.28] [46:34.28]All the housework was done by our daughters. [46:37.20] [46:37.20]Lula Mae could just take it easy. [46:39.28] [46:39.28]That woman got positively fat, [46:41.08] [46:41.08]while her brother, he growed up into a giant, [46:45.72] [46:45.72]which is a sight different from the way they come to us. [46:49.32] [46:49.32]A couple of wild young'uns, they was. [46:52.20] [46:52.20]I caught'em stealing milk and turkey eggs. [46:54.68] [46:54.68]They'd been living with some mean, no-account people [46:58.36] [46:58.36]about 100 mile east of Tulip. [47:00.84] [47:00.84]She had good cause to run off from that house. [47:03.40] [47:03.40]Never had none to leave mine. [47:06.52] [47:06.52]What about her brother? Didn't he leave too? [47:09.12] [47:09.28]No. We had Fred with us till the Army took him. [47:13.52] [47:13.52]That's why I come. [47:15.04] [47:15.04]I had a letter from him. He's getting out in february. [47:18.00] [47:18.00]That's why I come to get her. [47:20.24] [47:20.24]Lula Mae's place is with her husband her children, and her brother. [47:25.04] [47:26.48]The prize from the cracker jack. Want it? [47:30.48] [47:30.48]Never could understand why that woman run off. [47:33.48] [47:34.68]Don't tell me she weren't happy. [47:37.08] [47:37.08]Talky as a jaybird, she was, [47:39.36] [47:39.36]with something smart to say on every subject. [47:42.24] [47:42.24]Better than the radio. [47:43.84] [47:43.84]The night I proposed, I cried like a baby. [47:47.04] [47:47.04]She said: "Why are you crying? Of course we'll be married." [47:49.96] [47:49.96]"I never been married before." [47:53.36] [47:53.36]I laughed and hugged and squeezed her. [47:56.24] [47:56.24]"Never been married before." [47:58.40] [48:01.44]Listen, son, I advise you, I need a friend, [48:05.36] [48:06.48]'cause I don't want to surprise her or scare her none. [48:09.40] [48:09.40]Be my friend, let her know I'm here. [48:11.64] [48:20.28]Will you do that for me, son? [48:22.20] [48:26.48]Yeah, sure, Doc. If that is what you want. [48:29.96] [48:29.96]Come on. [48:31.64] [48:43.60]All right. [48:45.24] [48:45.24]Coming. [48:46.84] [48:49.88]Oh, darling, I'm on my way out. [48:52.20] [48:52.20]I'm half an hour late. [48:53.96] [48:53.96]Maybe we can have a drink tomorrow. [48:56.40] [48:56.40]Sure, Lula Mae... [48:57.84] [48:57.84]If you're still here tomorrow. [49:00.16] [49:04.48]Oh, please, where is he? [49:06.72] [49:22.12]Honey, don't they feed you up here? You're so skinny. [49:26.84] [49:31.72]- Hi, Doc. - Gosh, Lula Mae... [49:35.56] [49:35.56]Kingdom come! [49:37.20] [50:35.64]What's the matter? You all right? [50:37.16] [50:37.16]I guess so... No, I'm not. Will you help me? [50:41.88] [50:41.88]- If I can. - Come to the bus station with Doc and me. [50:45.12] [50:45.12]He still thinks I'm going back. [50:47.12] [50:47.12]- I can't play the scene alone What can I do? - He's your husband. [50:50.68] [50:50.68]- No, he's not. - He's not? [50:53.64] [50:53.64]It was annulled ages ago. He just won't accept it. [50:56.64] [50:56.64]Please, Fred. I'll say you're seeing us off. [50:59.68] [50:59.68]Don't say anything. [51:01.12] [51:02.60]Just meet us out front, in about an hour. Please? [51:06.32] [51:12.00]You wait right here, honey. I'll get the bag. [51:14.92] [51:17.88]Why don't I get some magazines?. [51:19.80] [51:19.80]Please, Fred, don't leave me. [51:22.44] [51:22.44]Attention, please... [51:24.24] [51:24.24]Leaving from platform 5, through coach to Dallas... [51:26.72] [51:26.72]Philadelphia, Columbus, lndianapolis, Terre Haute, [51:29.40] [51:29.40]St. Louis, Tulsa, Oklahoma City, Denison, Dallas. [51:32.68] [51:32.68]Come on, Lula Mae. That's us. [51:34.84] [51:34.84]Doc, I'm not coming with you. [51:37.00] [51:37.00]Come on. Let's walk quietly. [51:39.00] [51:39.00]I'll try and help you understand. Help me, Fred. [51:42.24] [51:42.24]I appreciate you want to help, but it's between Lula Mae and me. [51:46.76] [51:46.76]Sure, Doc. [51:48.08] [51:51.04]I love you, Lula Mae. [51:52.64] [51:52.64]I know, and that's the trouble. [51:55.64] [51:55.64]It's a mistake you always made... trying to love a wild thing. [51:59.08] [51:59.08]You were always lugging home wild things... [52:02.20] [52:02.20]A hawk with a broken wing, [52:04.20] [52:04.20]a full grown wildcat with a broken leg... [52:07.56] [52:07.56]- Remember? - There's something... [52:10.08] [52:10.08]You mustn't give your heart to a wild thing. [52:12.52] [52:12.52]The more you do, the stronger they get [52:14.96] [52:14.96]until they're strong enough to fly into a tree, [52:17.68] [52:17.68]then to higher trees, then to the sky. [52:20.16] [52:20.16]There's something I got to tell you. [52:21.76] [52:21.76]Excuse me. [52:23.00] [52:23.00]Couple of weeks ago, I got a letter from Fred. [52:25.64] [52:25.76]From Fred? He's all right, isn't he? [52:28.76] [52:28.76]Yeah, he's fine, I guess. [52:31.04] [52:31.04]He's getting out of the Army in february. [52:33.96] [52:33.96]In february? [52:35.84] [52:35.84]Well, that's only foor months. [52:38.32] [52:38.32]So, see, you got to come back, your place is with us. [52:42.48] [52:42.48]Doc, you've got to understand. I can't come back. [52:45.20] [52:45.20]You got to understand what I'm saying. [52:47.56] [52:47.56]I don't want to pressure you, but it got to. [52:50.76] [52:50.76]If you don't come I'll have to tell young Fred [52:54.04] [52:54.04]he better sign up for another hitch. [52:56.40] [52:56.40]Don't do that. Don't write that to him. [52:58.44] [52:58.44]I'll write him and say I want him with me. [53:01.36] [53:01.36]I'll take care of him. [53:02.80] [53:02.80]You're talking crazy, Lula Mae. [53:04.44] [53:04.44]Doc, stop calling me that. I'm not Lula Mae anymore. [53:08.64] [53:14.00]All right, Lula Mae. [53:16.68] [53:16.68]I guess you know what you're doing. [53:19.64] [53:27.84]Keep an eye on her, will you, son? [53:30.48] [53:30.48]At least see she eats something once in a while. [53:33.76] [53:33.76]Sure, Doc. [53:35.08] [53:37.40]So skinny. [53:39.32] [53:56.96]Please, Doc. Please understand. [53:59.80] [53:59.80]I love you, but I'm just not Lula Mae anymore. [54:03.68] [54:06.96]I'm not. [54:09.04] [54:44.44]You know the terrible thing, Fred, darling? [54:46.80] [54:46.80]I am still Lula Mae... 14 years old, stealing turkey eggs [54:50.28] [54:50.28]and running through a briar patch. [54:53.00] [54:55.64]Except now I call it having the mean reds. [54:59.04] [55:05.24]Well, it's still too early to go to Tiffany's. [55:08.68] [55:08.68]I guess the next best thing is a drink. [55:11.76] [55:11.76]Yes, I very much need a drink. [55:14.64] [55:14.64]- Buyme one, Fred, darling? - Sure. [55:17.88] [55:18.88]Only promise me one thing... Don't take me home until I'm drunk... [55:23.20] [55:25.20]Until I'm very drunk, indeed. [55:27.04] [55:52.60]Do you think she's talented? Deeply and importantly talented? [55:57.12] [55:57.12]No. Amusingly and superficially talented, yes... [56:01.28] [56:01.28]But deeply and importantly talented, no. [56:05.36] [56:08.48]Gracious. [56:10.88] [56:10.88]Do you think she's handsomely paid? [56:14.12] [56:16.96]Oh, indeed. [56:18.92] [56:20.04]Well, let me tell you something. [56:22.24] [56:22.24]If I had her money, I'd be richer than she is. [56:25.72] [56:25.72]- How do oyu figure that? - Because I keep the candy store. [56:29.56] [56:29.56]Old Sally Tomato... That's my candy store. [56:32.80] [56:32.80]I'd always keep Sally. [56:34.92] [56:34.92]That's why I'd be richer than she is. [56:37.92] [56:40.12]We'd better get a little more air. [56:42.68] [56:51.00]Tom, Dick and Harry... [56:53.04] [56:53.04]No. Correction. [56:54.48] [56:54.48]Every Tom, Dick, and Sid... Harry was his friend. [56:57.80] [56:57.80]Anyway, every Tom, Dick, and Sid sinks... [57:00.72] [57:00.72]Thinks if he takes a girl to dinner, [57:03.04] [57:03.04]she'll just curl up in a little furry ball at his feet, right? [57:07.56] [57:07.56]I have by actual count been taken to dinner [57:10.28] [57:10.28]by 26 different rats in the last 2 months. [57:14.12] [57:14.12]27, if you count Benny Shacklett, [57:16.24] [57:16.24]who's in many ways a super-rat. [57:18.92] [57:18.92]- I forgot my key. - Nevermind. I just buzzed Yunioshi. [57:23.12] [57:23.12]Do you want to know something funny? [57:25.24] [57:25.24]In spite of the fact most of these rats fork up $50 [57:29.12] [57:29.12]for the powder room like little dolls... [57:32.44] [57:32.44]I find I have $9 less in the bank account [57:36.16] [57:36.16]than I had six months ago. [57:39.08] [57:39.08]So, my darling Fred, [57:41.20] [57:41.20]I have tonight made a very serious decision. [57:44.44] [57:44.44]And what is that? [57:46.92] [57:46.92]No longer will I play the field. [57:49.80] [57:49.80]- Congratulations. - The field stinks... [57:52.52] [57:52.52]both economically and socially, [57:55.36] [57:55.36]and I'm giving it up. [57:57.28] [57:59.36]This time I'm calling the police, the Fire Department [58:03.04] [58:03.04]and New Yorks State Housing Comission, [58:05.00] [58:05.00]and, if necessary, the Board of Health! [58:07.28] [58:07.28]Quiet up there. You want to wake the whole house? [58:11.76] [58:11.76]As Miss Golightly was saying [58:13.28] [58:13.28]before she was so rudely interrupted. [58:16.56] [58:16.56]Miss Golightly further announces her intention [58:19.88] [58:19.88]to devote her not inconsiderable talents [58:22.80] [58:22.80]to the inmediate capture, [58:24.52] [58:24.52]for the purpose of matrimony, of Mr. Rutherford... [58:29.32] [58:29.32]Rusty, to his friends, of whom, I'm sure he has many... Trawler. [58:36.24] [58:36.24]- Who? - Rusty Trawler. [58:39.48] [58:39.48]You met him at a party. He came with Mag Wildwood, [58:43.68] [58:43.68]not the beautiful latin type, [58:46.20] [58:46.20]the other one...the one that looks like a pig. [58:50.12] [58:50.12]Remember? [58:51.56] [58:51.56]The 9th richest man in America under 50? [58:55.52] [58:59.24]Do I detect a look of disaproval? In your eye? [59:04.24] [59:04.24]Tough beans, buddy, 'cause that's the way it's going to be. [59:08.04] [59:08.04]Hi, cat. [59:09.72] [59:09.72]- Holly, you're drunk. - True. [59:13.36] [59:14.60]Absolutely true. True, but irrelevant. [59:17.20] [59:17.20]What are you doing? [59:19.12] [59:19.76]So I think we should have a drink, [59:21.68] [59:21.68]to the new Mrs. Rusty Trawler... Me. [59:25.96] [59:25.96]Hey, take it easy. [59:27.80] [59:27.80]What's the matter? Don't you think I can do it? [59:31.04] [59:31.04]Tell me, I'm interested. Don't you think I can? [59:34.60] [59:34.60]You heard the Doc. [59:36.32] [59:36.32]My brother gets out in february. [59:38.16] [59:38.16]The Doc won't take him back. It's all up for me. [59:41.84] [59:41.84]I don't know why you don't understand. [59:44.84] [59:44.84]I need money, and I'll do whatever I have to do to get it. [59:49.48] [59:49.48]So... This time next month, [59:51.96] [59:51.96]I'll be the new Mrs. Rusty Trawler. [59:55.32] [59:56.84]I think we should have a little drink to that. [60:00.24] [60:00.24]It's all gone. Isn't that too bad? [60:03.32] [60:05.76]Got any whiskey upstairs? [60:07.52] [60:08.84]But you've had enough. [60:10.36] [60:10.36]Go ahead. Get the whiskey. [60:12.92] [60:12.92]I'll pay you for it. [60:15.32] [60:17.24]Holly, please. [60:18.68] [60:18.68]No, no, you disappove of me, and I do not accept drinks [60:22.72] [60:22.72]from gentlemen who disapprove of me. [60:24.96] [60:24.96]I'll pay for my own whiskey. Don't forget it. [60:28.56] [60:28.56]Holly. [60:29.96] [60:29.96]I do not accept drinks from disapproving gentlemen. [60:33.52] [60:33.52]Specially not disapproving gentlemen [60:35.52] [60:35.52]who are kept by other ladies. So take it. [60:39.68] [60:39.68]You should be used to taking money from ladies by now. [60:43.32] [60:48.20]I I were you, I'd be more careful with my money. [60:52.12] [60:52.12]Rusty Trawler is too hard a way of earning it. [60:56.04] [60:57.56]It should take you exactly 4 seconds [61:00.48] [61:00.48]to cross from here to that door. [61:03.72] [61:03.72]I'll give you two. [61:05.32] [62:18.04]Hi. I wanted to talk about the other night, [62:21.16] [62:21.16]then I saw the paper, and... [62:24.08] [62:24.08]Well, actually, I'm kind of embarrased about it, [62:27.28] [62:27.28]but since it oncerns you, [62:29.24] [62:29.24]I thought I should talk about it in person. [62:32.12] [62:32.12]- What? - what? [62:34.56] [62:36.04]Oh. The earplugs. [62:39.04] [62:39.04]I can't go through the whole thing again. [62:41.08] [62:41.08]It's sufficient to say, I've come to make up. [62:44.00] [62:44.00]As an added inducement, I have all kind of news. [62:47.04] [62:47.04]- Can come on in? - I guess so. [62:50.12] [62:50.12]Just a minute. Do I have a nightgown on? [62:53.40] [62:53.40]No, I don't. Would you turn around for a second? [62:56.48] [62:56.48]Never mind. That's corny anyway. I'll turn around myself. [63:00.80] [63:00.80]Come in. [63:02.12] [63:03.20]Have... you seen the paper? [63:06.24] [63:06.24]Mmm. Rusty, you mean? [63:09.68] [63:09.68]Yes. I know all about it. [63:11.72] [63:11.72]Certainly had him... Pegged wrong, didn't it? [63:15.08] [63:15.08]I thought he was just a rat, [63:17.56] [63:17.56]but he was a super-rat all along. [63:20.24] [63:20.24]A super-rat in rat's clothing. [63:22.96] [63:22.96]You don't even know the best part. [63:25.44] [63:25.44]Not only was a super-rat, he was also broke. [63:30.20] [63:30.20]Broke! I mean, but not a farthing. [63:33.48] [63:33.48]His family has money, of course, but he personally is broke. [63:36.92] [63:36.92]It turns out he owes $700,000. [63:40.56] [63:40.56]Can you imagine anyone owing $700000? [63:44.40] [63:44.40]$43, yes. [63:46.92] [63:46.92]Anyway, that's why he decided to [63:49.24] [63:49.24]marry the queen of the pig people. [63:52.08] [63:52.08]I'll tell you one thing, Fred, darling... [63:54.56] [63:54.56]I'd marry you for your money in a minute. [63:57.48] [63:57.48]- Would you marry me for my money? - In a minute. [64:00.64] [64:00.64]I guess it's pretty lucky neither of us is rich, huh? [64:03.88] [64:04.44]Yeah. [64:05.76] [64:08.20]Oh, Fred, darling, I'm so glad to see you. [64:11.20] [64:15.16]What have you been doing? [64:18.00] [64:18.00]Writing, mostly. [64:19.80] [64:21.84]Sold a story. Just got word this morning. [64:25.00] [64:25.00]Oh, that's marvelous! It really is. [64:29.68] [64:29.68]Only how does your decorator friend feel about it? [64:33.08] [64:33.08]Aren't you supposed to be saving yourself? [64:35.64] [64:35.64]You know something? [64:37.08] [64:37.08]I haven't got around to telling her yet. [64:40.04] [64:40.04]Look, why don't we go have a drink [64:42.16] [64:42.16]or take a walk to celebrate? [64:44.20] [64:44.20]All right. There's some champagne in the icebox. [64:47.68] [64:47.68]- Why don't you open it while I get dressed? - OK [64:51.80] [64:51.80]I don't think I've ever drunk champagne before breakfast before. [64:55.52] [64:55.52]With breakfast on several occasions, [64:58.24] [64:58.24]but never before before. [64:59.92] [64:59.92]Well, I've got a wonderful idea. [65:01.92] [65:01.92]We'll spend the day doing things we've never done before. [65:04.68] [65:04.68]We'll take turns. First something you've never done, then me. [65:08.24] [65:08.24]'course, I can't think of anything I've never done. [65:12.36] [65:26.96]I've never been for a walk in the morning before. [65:29.72] [65:29.72]Not in New York. [65:31.76] [65:31.76]I've walked up 5th Avenue at 6:00, but I consider that still night. [65:35.20] [65:35.20]- Do you think it counts? - Sure, it counts. Now we're even. [65:38.60] [65:51.00]- Don't you just love it? - Love what? [65:54.04] [65:54.04]Tiffany's. [65:55.96] [66:04.36]Isn't it wonderful? [66:07.24] [66:07.24]See what I mean, how nothing bad could happen to you in a place like this? [66:10.84] [66:10.84]It isn't that I give a hoot about jewelry, except diamonds, of course. [66:15.04] [66:15.04]Like that. [66:16.76] [66:22.80]- What do you think? - Well... [66:26.16] [66:27.40]Personally, I think it would be tacky to wear diamonds before I'm 40. [66:32.00] [66:32.00]Well, you're right, but meantime you should have something. [66:35.12] [66:35.12]I'll wait. [66:36.64] [66:36.64]No, I'm going to buy you a present. [66:38.96] [66:38.96]You bought me a typewriter ribbon and it brought luck. [66:42.12] [66:42.12]But Tiffany's can be pretty expensive. [66:44.28] [66:44.28]I've got my check and $10. [66:46.40] [66:46.40]I wouldn't let you cash your check, [66:48.72] [66:48.72]but a present for $10 or under, that I will accept. [66:52.52] [66:52.52]Of course, I don't know what we'll find here for $10. [66:56.36] [67:05.64]May I help you? [67:07.16] [67:07.16]Perhaps. We're looking for a present for the lady. [67:10.36] [67:10.36]Certainly, sir. [67:11.68] [67:11.68]Is there something special you have in mind? [67:13.72] [67:13.72]Well, we've considered diamonds. [67:17.72] [67:17.72]And I don't to offend you but, the lady feels that diamonds are tacky for her. [67:21.56] [67:22.96]Oh, I think they're divine for older women, [67:25.28] [67:25.28]but they're not right for me, you understand. [67:27.80] [67:27.80]- Certainly. - In fairness, I ought to explain [67:31.04] [67:31.04]there's also a secondary problem, one of finance. [67:34.28] [67:34.28]We can only afford to spend... a limited amount. [67:37.92] [67:37.92]- May I ask how limited? - $10. [67:41.00] [67:44.16]That was the outside figure, yes. [67:46.20] [67:46.20]- I see. - Do you have anything for $10? [67:49.56] [67:49.56]Frankly, madam, within that price range [67:51.92] [67:51.92]the variety of merchandise is rather limited. [67:54.60] [67:54.60]However, I do think we might have... Let's see... [67:57.96] [67:57.96]Strictly as a novelty, you understand... [68:00.00] [68:00.00]For the lady and gentleman who has everything, [68:03.04] [68:03.04]a sterlingsilver telephone dialer. [68:05.68] [68:05.68]That's 6.75, including tax. [68:08.76] [68:08.76]A sterlingsilver telephone dialer. [68:11.48] [68:11.48]Yes, sir. That's 6,75 dollar, including Federal Tax. [68:15.20] [68:15.20]Well, the price is right, but I must say [68:18.39] [68:18.39]I'd rather hoped for something slightly more... How shall I say it... [68:22.08] [68:22.08]Romantic in feeling. [68:23.84] [68:23.96]- What do you think? - A sterlingsilver telephone dialer? [68:27.20] [68:27.20]I certainly think it's handsome, but, well, you do understand. [68:30.96] [68:32.08]Well, we tried but... [68:33.56] [68:33.56]We could have something engraved, couldn't we? [68:36.64] [68:36.64]Yes, I suppose so. Yes, indeed. [68:39.64] [68:39.64]The only problem is, you'd have to buy something first [68:43.16] [68:43.16]in order to have some object upon which to place the engraving. [68:47.52] [68:47.52]You see dificulty? [68:49.84] [68:49.84]Well, we could have this engraved, couldn't we? [68:53.12] [68:53.12]I think it would be very smart. [68:55.00] [68:56.72]This, I take it, was not purchased at Tiffany's? [68:59.76] [68:59.76]No. Actually, it was purchased concurrent with... [69:03.47] [69:03.47]Well, actually it came inside a... [69:06.72] [69:06.72]- Well, a box of cracker jack. - I see. [69:10.35] [69:11.88]Do they still really have prizes in cracker jack boxes? [69:15.20] [69:15.20]- Oh, yes. - That's nice to know. [69:18.24] [69:18.24]It gives one a feeling of solidarity, [69:21.88] [69:21.88]almost of continuity with the past, that sort of thing. [69:25.12] [69:25.12]Would Tiffany's really engrave it for us? [69:27.72] [69:27.72]They wouldn't feel it beneath them or anything? [69:30.35] [69:30.35]Well, it's rather unusual, madam, [69:32.47] [69:32.47]but I think you'll find that Tiffany's is very understanding. [69:36.24] [69:36.24]If you would tell me the initials, [69:38.72] [69:38.72]I think we could have something ready for you in the morning. [69:42.68] [69:43.92]Didn't I tell you this was a lovely place? [69:46.92] [70:07.24]What is this place anyway? [70:09.24] [70:09.24]You wanted to sit down. It's the public library. [70:12.16] [70:12.16]- You've never been here? - No. That makes two for me. [70:15.76] [70:15.76]I don't see any books. [70:17.28] [70:17.28]They're in there. [70:19.16] [70:22.64]See? [70:24.35] [70:28.24]Each one of these drawers is stuffed with little cards. [70:31.72] [70:31.72]Each little card is a book or an author. [70:34.92] [70:34.92]I think that's fascinating. [70:36.68] [70:36.68]- V-a-r-j-a-k. - Really? [70:40.68] [70:42.64]Look. Isn't it marvelous? [70:45.52] [70:45.52]There you are... Right in the public library. [70:48.35] [70:48.35]Varjak, Paul. "Nine lives." [70:51.84] [70:51.84]Then a lot of numbers. [70:53.56] [70:53.56]Do they really have the book itself? Live? [70:56.20] [70:56.20]Sure. Follow me. [70:58.28] [71:06.84]Number 57. That's us. [71:09.68] [71:09.76]57, please. [71:11.72] [71:11.72]"Nine lives" by Varjak, Paul. [71:14.68] [71:14.68]Have you read it? It's marvelous. [71:16.72] [71:16.72]- I'm afraid, I haven't. - You should. He wrote it. [71:19.64] [71:19.64]He's Varjak, Paul, in person. [71:22.16] [71:22.16]She doesn't believe me. [71:23.88] [71:23.88]Show her your driver's license [71:25.76] [71:25.76]or Dinner's Club card or something. [71:28.24] [71:28.24]He's really the author. Cross my heart and kiss my elbow. [71:31.39] [71:31.39]Would you kindly lower your voice? [71:33.35] [71:33.35]Autograph it. [71:35.20] [71:35.20]Wouldn't that be nice? Sort of making more personal? [71:37.60] [71:37.60]really, Miss... [71:39.24] [71:39.24]Go ahead. Don't be stuck, signera den. [71:42.24] [71:42.24]Vad ska jag skriva? [71:44.16] [71:44.16]N錱onting sentimentalt, autograph it. [71:46.24] [71:46.24]What shall I say? Stop that! [71:48.60] [71:48.60]You're defacing public property. [71:50.88] [71:50.88]Well, if that's how you feel, [71:52.72] [71:52.72]come on, let's get out of here. [71:54.56] [71:54.56]I don't think this place is half as nice as Tiffany's. [71:58.32] [72:10.68]Did you ever steal anything from a 5-and-10 [72:13.92] [72:13.92]when you were a kid? [72:15.47] [72:15.47]No. I'm the sensitive, bookish type. Did you? [72:18.52] [72:18.52]Yes, I still do now and then sort of to keep my hand in. [72:22.56] [72:22.56]Come on. Don't be chicken, you've never done it, and it's your turn. [72:26.96] [75:09.20]I can't see. [75:11.12] [76:40.84]Hi, cat. Lady of the house at home? [76:43.88] [77:13.76]Bu! [77:15.56] [77:17.20]You're crazy. You know that, don't you? [77:19.35] [77:19.35]But I love you anyway. [77:21.52] [77:21.52]- Tooley? - Yeah? [77:24.20] [77:24.20]I've... got to talk to you. [77:26.56] [77:27.72]All right. [77:29.08] [77:32.92]You want a drink? [77:34.76] [77:40.64]If this is going to be a serious discussion... [77:42.56] [77:42.56]and suddenly I'm terribly afraid it is... [77:46.12] [77:46.12]you're going to have to take off that ridiculous mask, [77:48.92] [77:48.92]or else I'll have to wear one too. [77:51.35] [77:51.47]Tooley, look, please. [77:54.72] [77:59.39]What's the matter? Girl trouble? [78:02.28] [78:03.52]Is that it, darling? [78:04.84] [78:07.00]Oh, I see. [78:09.39] [78:10.76]Well, that's not too serious. [78:13.47] [78:13.47]As a matter of fact, I've expecting it. [78:16.35] [78:16.35]I can't say I like it, but I've been expecting it. [78:20.43] [78:20.43]Who is she? [78:21.72] [78:21.72]Hasn't got anything to do with her. [78:24.43] [78:25.52]This is between you and me. [78:27.24] [78:27.24]Oh, then it's serious. [78:29.60] [78:30.96]Well, now... [78:32.24] [78:32.24]Tooley, you're a very stylish girl. [78:34.84] [78:34.84]Can't we end this stylishly? [78:37.08] [78:38.84]- End it? - Yes. [78:41.60] [78:47.60]Well... I do believe love has found Andy Hardy. [78:52.56] [78:52.56]Let's see... a waitress? [78:55.60] [78:55.60]A salesgirl? [78:57.56] [78:57.56]No. She'd have to be someone rich, wouldn't she, Paul? [79:01.64] [79:01.64]Someone who could help you. [79:03.68] [79:03.68]Curiously enough... [79:05.84] [79:08.76]She's a girl who can't help anyone, not even herself. [79:12.64] [79:12.64]The thing is, I can help her, and it's a nice feeling for a change. [79:17.56] [79:19.52]All right. [79:22.04] [79:22.04]I understand. [79:24.24] [79:26.24]I'll tell you what, Paul. [79:28.35] [79:28.35]I'm very stylish girl. [79:31.04] [79:31.04]- What are you doing? - Writing a check. [79:33.60] [79:36.52]Don't look so bewildered. [79:38.04] [79:38.04]Surely you've noticed me writing checks before. [79:40.72] [79:40.72]Pay to the order of Paul Varjak... $1,000. [79:45.12] [79:45.12]Take her away somewhere for a week. [79:49.04] [79:49.04]You're entitled to a vacation with pay. [79:51.43] [79:51.43]Simply a matter of fair labor practice, darling. [79:54.43] [79:54.43]If you were really smart, [79:55.96] [79:55.96]you'd get the boys together and organize a union. [79:58.84] [79:58.84]That way you'd get all the fringe benefits... [80:01.28] [80:01.28]Hospitalization, a pension plan, [80:04.35] [80:04.35]and unemployment insurance when you are... [80:07.35] [80:07.35]How shall I put it... [80:09.35] [80:09.35]between engagements? [80:11.32] [80:14.39]Thanks for making it easier for me. [80:17.47] [80:17.47]Don't be ridiculous, darling. [80:20.35] [80:20.35]Take the check. And call your girl. [80:23.92] [80:23.92]No, thanks. I've got a check of my own. [80:27.43] [80:29.72]When you get yourself a new writer to help, [80:33.20] [80:33.20]try and find one my size. [80:35.12] [80:35.12]That way you won't have to even shorten the sleeves. [80:38.84] [81:38.04]- Oh, what are you doing? - Excuse me. [81:42.16] [81:42.16]Uh, I... I'm sorry. [81:43.24] [81:43.24]You look just like a girl I know, named Holly. [81:46.35] [81:46.35]Really? [81:48.35] [81:48.35]I'm sorry. [81:50.24] [82:18.24]Hi. [82:19.60] [82:27.00]What do you want? [82:28.76] [82:29.84]I want to talk to you. [82:31.88] [82:33.12]I'm busy. [82:34.84] [82:36.72]- What are you doing? - Reading. [82:39.56] [82:39.56]"South America: Land of wealth and promise"? [82:43.64] [82:43.64]It's very interesting. [82:46.72] [82:46.72]Let's get out of here. [82:49.00] [82:50.20]I said, let's get out of here. I want to talk to you. [82:56.24] [82:56.24]What's the matter with you anyway? What's happened? [82:59.28] [83:00.35]Fred, will you please just leave me alone? [83:03.68] [83:05.12]I love you. [83:06.96] [83:13.52]- Where are you going? - To the ladies room. [83:18.04] [83:18.04]- What's the matter with you? - Let me go. [83:20.96] [83:20.96]- No. - Fred, let me go. [83:23.00] [83:23.00]Let's get something straight. [83:24.28] [83:24.28]I'm not nor have I ever been Fred, nor am I Benny Shacklett. [83:28.28] [83:28.28]My name is Paul, Paul Varjak, and I love you. [83:31.56] [83:31.56]- Let me go. - Not till we settle this. What's about all this jazz about South AmericaVar? [83:36.35] [83:36.35]I thought if I'm marrying a south-american, [83:38.64] [83:38.64]I'd better find out something about the country. [83:41.20] [83:41.20]- Marry? What south-american? - Jos? [83:43.84] [83:43.84]- Who the hell's Jos? - Jos?de Silva Pereira. [83:46.72] [83:46.72]Who the hell's Jos?de Silva Pereira? [83:48.72] [83:48.72]Darling, you met him, I know you did... Mag Wildwood's friend. [83:52.08] [83:52.08]He came to the party with Rusty. [83:54.68] [83:54.68]Well, my dear, you won't believe this, [83:56.60] [83:56.72]but not only is he handsome and rich, [83:59.16] [83:59.16]he's absolutely cuckoo for me. [84:01.20] [84:01.20]- You're crazy. - Do you think you own me? [84:04.08] [84:04.08]That's exactly what I think. [84:05.43] [84:05.43]That's exactly what everybody thinks, but everybody happens to be wrong. [84:08.72] [84:08.72]Look, I'm not everybody. [84:10.64] [84:12.72]Or am I? [84:15.84] [84:15.84]Is that what you really think? [84:18.12] [84:18.12]That I'm not different from all you other rats and super-rats? [84:22.96] [84:22.96]wait a minute. [84:24.76] [84:24.76]If that's it... [84:27.84] [84:27.84]If that's what you really think... [84:30.64] [84:30.64]There's something I want to give you. [84:33.56] [84:36.68]What's that? [84:38.72] [84:38.72]$50 for the powder room. [84:40.80] [85:11.96]the place is in such a mess, I couldn't face it alone. [85:15.60] [85:15.60]- Ah, you have a message. - No. [85:18.24] [85:21.72]Ol? [85:23.08] [85:39.56]Good evening, Mr. Yunioshi. [85:41.32] [85:44.56]- Oh, good evening, Paul. - Good evening. [85:47.12] [85:49.20]Good evening. [85:50.43] [86:05.35]Please, you must help me. [86:07.04] [86:24.92]Let me go. No! [86:26.88] [86:51.28]No! No! [86:54.08] [87:13.04]- What did you do to her? - Nothing. [87:15.88] [87:15.88]There was a telegram, and then this... [87:17.92] [87:17.92]Crashing everything and acting like a crazy... It's appalling. [87:21.24] [87:21.24]I can't have a public scandal. It's too delicate... [87:24.00] [87:24.00]My name, my position, my family. [87:26.08] [87:26.08]Will there be the police again? [87:28.00] [87:28.00]I don't see why. There's no law against busting up your apartment. [87:31.40] [87:31.40]- Where is the telegram? - There it is. [87:34.96] [87:40.84]"Received notice young Fred killed..." [87:43.48] [87:46.76]"in jeep-accident, Fort Riley, Kansas." [87:50.64] [87:50.64]"Your husband and children join in the sorrow" [87:53.00] [87:53.00]"of our mutual lost.". [87:54.44] [87:55.64]"Letter following. Love, Doc." [87:59.12] [87:59.12]Her brother Fred. [88:00.64] [88:03.28]This brother, was she very close to him? [88:06.16] [88:06.16]Yeah. [88:07.48] [88:10.52]What can one do? [88:12.64] [88:12.64]Try to help her. [88:14.52] [88:14.52]I tried, It didn't do much good. [88:18.00] [88:18.00]You got a ranch or something in Brazil? [88:20.88] [88:20.88]Yes. [88:22.80] [88:22.80]that's good. She'll like that. [88:25.04] [88:27.44]Well, you better get in here. [88:29.84] [89:54.36]- Hi. - Hello. Got your wire. [89:57.28] [89:57.28]How did you know where to reach me? [89:59.76] [89:59.76]Oh, I tried everything... Called people, asked around, [90:02.24] [90:02.24]and suddenly I thought of the phone book. Anyway, I'm glad you came. [90:06.60] [90:07.92]You look fine. [90:09.16] [90:09.16]I'm fat as a pig, and I haven't had my hair done, [90:12.52] [90:12.52]but I'm happy, really happy... It probably shows. [90:15.48] [90:15.48]You look 'tr閟 distingu? yourself. [90:17.20] [90:17.20]I've got a job. I've been writing a little. [90:19.88] [90:19.88]I've read three of your stories... [90:22.12] [90:22.12]Two in The New Yorker and one in that funny little magazine. [90:26.68] [90:26.68]- Won't you sit down?. - Thank you. [90:29.88] [90:29.88]- I've taken up knitting. - So I see. [90:32.68] [90:33.92]It'll probably look, uh... very nice once it's finished. [90:37.60] [90:37.60]I'm a little nervous about it. [90:39.40] [90:39.40]Jos?brought up the blueprints for a new ranch house he's building. [90:42.40] [90:42.40]I have this strange feeling that the blueprints and my knitting instructions got switched. [90:46.88] [90:46.88]I may be knitting a ranch house. [90:49.68] [90:58.36]really, darling, I can't tell you how divinely happy I am. [91:01.80] [91:01.80]What is that, anyhow? [91:03.92] [91:03.92]Portuguese... A very complicated language. [91:06.84] [91:06.84]4,000 irregular verbs. [91:09.56] [91:15.48]Hmm. Very impresive. What's it mean? [91:17.08] [91:17.08]I believe you're in league with the butcher. [91:19.80] [91:23.48]Holly, what's this about? [91:25.84] [91:26.60]Why did you want to see me? [91:29.24] [91:29.24]Jos?s in Washington for the night, so I thought I'd ask you over, [91:33.32] [91:33.32]adn, well, I've said goodbye to everyone else I care about. [91:36.84] [91:36.84]- You're going somewhere? - I'm going to Rio, tomorrow. [91:39.48] [91:39.48]I've got the plane ticket and I've even said goodbye to Sally. [91:42.92] [91:42.92]- Jos?s flying down with you? - We're going on separate planes. [91:45.76] [91:45.76]He doesn't think it looks right for us to travel together. [91:48.48] [91:48.48]His family's important down there, so he worries about things like that. [91:52.68] [91:52.68]Anyway, I thought I'd show off and cook dinner for us. [91:56.68] [91:56.68]Did I tell you how divinely and utterly happy I am? [91:59.60] [91:59.60]Yes. [92:00.76] [92:00.76]You're getting married, then? [92:02.84] [92:02.84]Well, he hasn't really asked me, not in so many words. [92:06.12] [92:06.12]Four, you mean? [92:09.00] [92:09.00]Well, that's how many words it takes... [92:11.88] [92:11.88]Will you marry me? [92:14.72] [92:14.72]Oh, we'll get married, all right. [92:17.00] [92:17.00]And in church and with his family there. [92:19.16] [92:19.16]And that's why he's waiting till we get to Rio... Probably. [92:22.92] [92:25.80]Do you think it's trying to tell us something? [92:28.40] [92:28.40]I hope you like chicken and saffron rice served with chocolate sauce. [92:32.24] [92:32.24]It's an east indian classic, my dear. [92:34.24] [92:34.24]Three months ago I couldn't scramble eggs. [92:36.16] [92:39.76]Oh, are you all right? [92:42.72] [92:42.72]Oh, golly, darling, I did so want to impress you. [92:45.64] [92:45.64]Look, I'm not much for chicken with sauce anyway. [92:49.28] [92:49.28]Why don't we go out somewhere? [92:53.48] [92:53.48]Let me buy you a farewell dinner. Oh, that would be fun, as long as I can go like this. [92:57.04] [93:04.04]Years from now, years and years, I'll be back... [93:09.04] [93:09.04]Me and nine brazilian brats. [93:11.36] [93:12.68]They'll be dark like Jos? of course, [93:15.00] [93:15.00]but they'll have bright green, beautiful eyes. [93:17.76] [93:19.80]I'll bring them back, all right, [93:22.08] [93:22.08]because they must see this. [93:23.68] [93:24.88]Oh, I love New York. [93:26.40] [93:26.40]Then, why are you leaving? What's in it for you? [93:31.40] [93:31.40]Look, I know what you're thinking, and I don't blame you. [93:34.44] [93:34.44]I've always thrown out such a jazzy line, [93:37.12] [93:37.12]but really, except for Doc and yourself Jos?s my first non-rat romance. [93:42.32] [93:42.32]Not that he's my idea of the absolute finito. [93:45.20] [93:45.20]He's too prim and cautious to be my absolute ideal. [93:49.44] [93:49.44]Now, if I could choose from anybody alive, I wouldn't pick Jos? [93:53.24] [93:53.24]Nero, maybe, or Albert Schweitzer. [93:55.96] [93:55.96]or Leonard Bernstein. [93:57.88] [93:59.24]But I am mad about Jos? [94:01.36] [94:01.36]I honestly think I'd give up smoking if he asked me. [94:04.28] [94:06.68]Come on, darling, let's eat, It's getting late. [94:09.88] [94:11.28]I'm leaving tomorrow and I haven't even begun to pack. [94:14.68] [94:34.32]Didn't want Jos?to think I'm a girl who loses her key, [94:37.96] [94:37.96]so I had 26 of them made. [94:40.24] [94:40.24]Wait. I got a better idea. Kind of a farewell gesture. [94:43.60] [94:45.52]Somebody must have tripped the lock. [94:47.12] [94:47.12]Ah, crafty devil, that Yunioshi. [94:49.64] [94:49.64]Wake up, wake up! The british are coming! [94:52.12] [94:52.12]Or, in this case, the brazilians. [94:53.84] [94:53.84]Exactly. [94:55.16] [94:55.16]Ooh, I've still got to clean up all that rice. [94:58.28] [94:58.28]Hey, you know... [94:59.56] [95:02.24]There she are who did it! The wanted woman! There! [95:07.80] [95:07.80]Groenburger. Narcotics squad. [95:09.68] [95:09.68]- What do you mean? - What's going on? [95:11.96] [95:11.96]- Why don't you ask your boss? - What boss? [95:14.68] [95:14.68]Sally Tomato. Ask him. Come on. [95:16.80] [95:16.80]Look around for narcotic! They got plenty narcotic in there. [95:20.12] [95:38.16]- What's your name? - Varjak. [95:40.64] [95:40.64]Hold it down over there! [95:42.48] [95:42.48]Paul Varjak. V-A-R-J-A-K. Hey! Get lost! [95:46.76] [95:46.76]Get out! [95:48.32] [95:48.32]I'm a writer. W-R-I-T-E-R. [95:51.92] [95:55.00]I can't answer all your questions. [95:57.32] [95:57.32]One at a time. One, please. Good. [96:00.76] [96:02.68]I can't answer all your questions. [96:04.64] [96:04.64]One at a time, please. [96:05.96] [96:05.96]Knock it off! [96:07.88] [96:09.48]- Now darling why don't you star? - Did you carry messages [96:11.36] [96:11.36]from Tomato in code? [96:13.64] [96:13.64]Of course not. [96:15.16] [96:15.16]I'd just give Mr. O'Shaughnessy the weather report. [96:17.48] [96:17.48]Simply do not ask me what this is all about. 'Parce que je ne sais pas, mes chers.' [96:20.32] [96:20.32]- You did used to visit Tomato? - Every week. What's wrong with that? [96:24.28] [96:24.28]Tomato's part of the narcotics syndicate. [96:26.48] [96:26.48]He never mentioned narcotics. [96:28.52] [96:28.52]These wretched people keep persecuting him. [96:31.92] [96:31.92]He's a deeply sensitive person, a darling old man. [96:34.72] [96:34.72]- Then, you're innocent. - Of course, I'm innocent. [96:36.92] [96:36.92]- What are you going to do about it? - What do you mean? - Well, who's your lawyer? [96:42.44] [96:42.44]- I don't know. Mr. O'Shaughnessy, I guess. - Mr. O'Shaughnessy! [96:44.80] [96:48.08]Hey! Get out of here! [96:49.88] [96:49.88]All right, come on! OK, move. [96:52.36] [96:54.80]- Aw, shut up! - Get in there! [96:57.36] [97:17.84]- Hello. - Mr. Paul Varjak? [97:20.40] [97:20.40]Yeah. [97:21.48] [97:21.48]Ready with Mr. Berman in Hollywood. [97:23.64] [97:23.64]Kindly deposit $3.00 for the first 3 minutes. [97:26.88] [97:35.36]Hello? Hello? [97:38.36] [97:38.36]O.J. Berman here. Who's calling? [97:41.60] [97:41.60]- Mr. Berman, this is Paul Varjak. - Nice to talk to you, kid. [97:45.88] [97:45.88]Varjak. V-A-R-J-A-K. [97:49.20] [97:49.20]I'm a friend of Holly's. We met at a party, in New York. [97:52.08] [97:52.08]- Who? - Paul. Paul Varjak. [97:56.28] [97:56.28]V-A-R... [97:58.16] [97:58.16]Mr. Berman, this is Fred. [98:01.12] [98:01.12]Oh, Fred, baby, huh? [98:03.16] [98:03.16]You're calling about the kid, huh? [98:05.60] [98:05.60]Everything's under control. You just relax. [98:10.36] [98:10.36]I spoke to my lawyer in New York. [98:12.68] [98:12.68]I told him to take care of everything, send me the bill, keep my name anonymous. [98:16.64] [98:16.64]- What? - I don't want any part of it. [98:20.76] [98:20.76]You sound like you're in a tunnel. [98:23.08] [98:23.08]It's this executive phone I have. [98:25.52] [98:25.52]- What? - Executive phone! [98:28.40] [98:28.40]Thay only got her on 10,000 bail. [98:30.80] [98:30.80]My lawyer can get her out at 10 A.M. [98:33.28] [98:33.28]I tell you what to do. [98:35.20] [98:35.20]You bust into that dump she lives in, [98:38.04] [98:38.04]collect all her junk, [98:39.40] [98:39.40]go down to the jail, get her out, take her to a hotel under a phony name. [98:44.92] [98:44.92]Try to keep her away from the reporters. [98:47.44] [98:47.44]- Will you do that? - Sure, Mr. Berman. [98:50.20] [98:50.20]I can't tell you how much I appreciate... [98:52.48] [98:52.48]Forget it. I mean, I owe her something. [98:56.16] [98:57.28]not that I owe her anything, if you really want to get right down to it. [99:01.44] [99:01.44]but... she's crazy. [99:04.12] [99:05.88]She's a phony. [99:07.68] [99:09.12]But she's a real phony. [99:11.44] [99:11.44]Know what I mean, kid? [99:13.40] [99:13.40]Yeah, I know what you mean. [99:15.76] [99:15.76]Thanks, Mr. Berman. Thanks a lot. [99:18.00] [99:18.00]Right! [99:19.72] [99:25.96]Why don't you behave? [99:28.20] [99:39.00]'Quel' night. [99:41.28] [99:54.44]I did a little housebreaking while you were away. [99:57.24] [99:57.24]Clayton Hotel. 84th and Madison. [99:59.64] [100:01.92]O.J. thinks it would be a good idea if you stayed out of sight for a while. [100:05.28] [100:05.28]I got your stuff here, including cat. [100:07.76] [100:07.76]Hope he's all right. [100:10.08] [100:10.08]Hi, cat... [100:11.92] [100:11.92]Poor no-name slob. [100:13.88] [100:15.72]Listen, darling, did you find that plane ticket? [100:18.72] [100:18.72]- Right here. We can cash it in. - Cash it in? Are you kidding? [100:22.32] [100:22.32]- What time is it? - A little after 10:00. [100:26.00] [100:26.00]Good. Idylwild airport, driver. [100:27.36] [100:27.36]- Never mind. You can't do that. - Why not?. [100:30.84] [100:30.84]You don't understand. You're under indictment. [100:33.08] [100:33.08]You jump bail, they'll throw away the key. [100:36.40] [100:36.40]Don't be ridiculous, darling. I'll be married [100:39.32] [100:39.32]to the future president of Brazil. [100:41.32] [100:41.32]That'll give me diplomatic inmunity, or something. [100:44.84] [100:44.84]I wouldn't be on it. [100:47.52] [100:47.52]What is it, darling? [100:50.44] [100:50.44]I have a message for you. [100:53.68] [100:55.16]Oh, yes, I see. [100:56.72] [100:56.72]Did he bring it in person, or was it... just there, shoved the door? [101:01.84] [101:01.84]A cousin. [101:03.36] [101:05.32]Hand me my purse, will you, darling? [101:07.64] [101:07.64]A girl can't read that sort of thing... [101:10.12] [101:10.12]Without her lipstick. [101:11.40] [101:13.00]You read it to me, will you, darling? [101:15.32] [101:15.32]I don't think I can quite... bear... [101:17.80] [101:17.80]Are you sure you want me? [101:19.96] [101:25.48]"My dearest littel girl," [101:27.64] [101:27.64]"I had loved you, knowing you were not as others," [101:31.56] [101:31.56]"but conceive of my despair" [101:33.60] [101:33.60]"upon discovering in such a brutal and public style" [101:37.20] [101:37.20]"how very different you are from the manner of woman" [101:40.80] [101:40.80]"a man of my position could hope to make his wife." [101:44.08] [101:44.08]"I grieve for the disgrace of your present circumstances," [101:47.56] [101:47.56]"and I do not find it in my heart" [101:50.60] [101:50.60]"to add my condemn..." [101:52.36] [101:52.36]"to the condemn that surrounds you," [101:55.20] [101:55.20]"so I hope you will find it in your heart not to condemn me." [102:00.00] [102:00.00]"I have my family to protect and my name and..." [102:02.88] [102:02.88]"I'm a coward where these institutions enter." [102:06.96] [102:06.96]"Forget me, beautiful child," [102:09.24] [102:09.24]"and may God be with you." [102:11.52] [102:11.52]"Jos?" [102:12.88] [102:15.32]Well... [102:16.64] [102:18.60]Well, at least he's honest. It's kind of touching. [102:22.44] [102:22.44]Touching! That square-ball jazz. [102:25.24] [102:26.84]He says he's a coward. [102:28.76] [102:28.76]All right! So he's not a regular rat, [102:31.08] [102:31.08]or even a super-rat. [102:32.60] [102:32.60]He's just scared little mouse, that's all. [102:35.48] [102:35.48]But, oh, Golly... gee! Damn! [102:39.56] [102:44.48]Well, so much for South America. I really didn't think [102:49.60] [102:49.60]you were cut out to be queen of the Pampas anyway. [102:52.92] [102:52.92]- Clayton Hotel. - Idylwild. [102:55.88] [102:55.88]What? [102:57.24] [102:57.24]The plane leaves at 12:00, and on it I plan to be. [103:00.80] [103:00.80]- Holly, you can't. - 'Et pourquoi pas?' [103:03.68] [103:03.68]I'm not hotfooting it after Jos? [103:06.16] [103:06.16]If that's what you think. Oh, no. [103:08.44] [103:08.44]As far as I'm concerned, he's the future president of nowhere. [103:11.32] [103:11.32]Only why should I waste a good plane ticket? [103:14.08] [103:14.08]Besides, I've never been to Brazil. [103:16.84] [103:17.40]Please, darling, don't sit there looking at me like that. [103:20.76] [103:20.76]I'm going, and that's all there is to it. [103:23.60] [103:24.60]All they want from me are my services as a State's witness against Sally. [103:28.96] [103:28.96]Nobody has any intention of prosecuting me. [103:32.08] [103:32.08]To begin with, they don't have a ghost of a chance. [103:36.28] [103:36.28]This town's finished for me... At least for a while. [103:40.12] [103:40.12]There are certain shades of limelight [103:42.00] [103:42.00]that can wreck a girl's complexion. [103:44.56] [103:44.56]They'll have the rope up at every saloon in the town. [103:47.76] [103:48.48]I'll tell you what you do for me darling. [103:51.64] [103:51.64]When you get back to town call up the New York Times or whoever you call. [103:54.72] [103:54.72]Mail me a list of the 50 richest men in Brazil... The 50 richest! [104:00.28] [104:02.40]Holy, I'm not going to let you do this. [104:04.32] [104:04.32]- You're not going to let me? - Holly, I'm in love with you. [104:07.20] [104:07.20]- So what? - So what? So plenty! [104:11.40] [104:11.40]I love you. You belong to me. [104:14.12] [104:14.12]No. People don't belong to people. [104:16.56] [104:16.56]Of course they do. [104:17.88] [104:17.88]- Nobody's going to put me in a cage. - I don't wanna put you on a cage. I want to love you! [104:21.56] [104:21.56]- It's the same thing. - No, it's not! Holly! [104:25.00] [104:25.00]I'm not Holly. I'm not Lula Mae, either. [104:27.32] [104:27.32]I don't know who I am!. I'm like cat here, a no-name slob. [104:30.96] [104:30.96]We belong to nobody, and nobody belongs to us. [104:32.80] [104:32.80]We don't even belong to each other. Stop the cab. [104:36.96] [104:42.44]What do you think? [104:43.96] [104:43.96]This ought to be the right kind of place [104:45.92] [104:45.92]for a tough guy like you... Garbage cans, rats galore. [104:50.00] [104:50.00]Scram! I said take off! Beat it! [104:53.52] [104:53.52]Let's go. [104:54.92] [105:06.44]Driver... [105:08.16] [105:10.28]Pull over here. [105:12.08] [105:20.52]You know what's wrong with you, Miss whoever-you-are? [105:24.12] [105:24.12]You're chicken. You got no guts. [105:26.16] [105:26.16]You're afraid to say: "OK, life's a fact." [105:29.20] [105:29.20]People do fall in love. [105:30.80] [105:30.80]People do belong to each other, [105:32.48] [105:32.48]because that's the only chance anybody's got for real happiness. [105:36.28] [105:36.28]You call yourself a free spirit, a wild thing. [105:39.64] [105:39.64]And you're terrified somebody's going to stick you in a cage. [105:42.60] [105:42.60]Well, baby, you're already in that cage. [105:44.80] [105:44.80]You built it yourself. [105:46.12] [105:46.12]And it's not bounded on the west by Tulip, Texas or on the east by Somaliland. [105:49.52] [105:49.52]It's wherever you go. Because no matter where you run, [105:52.80] [105:52.80]you just stand up running into yourself. [105:55.44] [106:01.08]Here, I've been carrying this thing around for months. [106:06.00] [106:06.00]I don't want it anymore. [106:07.84] [106:57.96]Here, cat! [107:00.12] [107:00.56]Cat! [107:01.92] [107:10.12]Where's the cat? [107:11.84] [107:13.04]I don't know. [107:14.92] [107:15.92]谢谢欣赏~更多精彩请访问:www.TopSage.com [109:40.92]
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