住宅项目装配式结构专项施工方案

...............精品资料...............【精品资料】第PAGE10页建筑专业英语贝聿铭I.M.PeiIeohMingPei(born26April1917),commonlyknownbyhisinitialsI. M.Pei,isaChineseAmericanarchitect,oftencalledamasterofmodernarchitecture.BorninGuangzhouandraisedinHongKongandShanghai,PeidrewinspirationatanearlyagefromthegardensatSuzhou.In1935hemovedtotheUnitedStatesandenrolledintheUniversityofPennsylvania'sarchitectureschool,butquicklytransferredtotheMassachusettsInstituteofTechnology.andspenthisfreetimeresearchingtheemergingarchitects,especiallyLeCorbusier.Aftergraduating,hejoinedtheHarvardGraduateSchoolofDesignandbecamefriendswiththeBauhausarchitectsWalterGropiusandMarcelBreuer.PeispenttenyearsworkingwithNewYorkrealestatemagnateWilliamZeckendorfbeforeestablishinghisownindependentdesignfirmthateventuallybecamePeiCobbFreed& Partners.AmongtheearlyprojectsonwhichPeitooktheleadweretheL'EnfantPlazaHotelinWashington,DCandtheGreenBuildingatMIT.HisfirstmajorrecognitioncamewiththeNationalCenterforAtmosphericResearchinColorado;hisnewstatureledtohisselectionaschiefarchitectfortheJohnF.KennedyLibraryinMassachusetts.HewentontodesignDallasCityHallandtheEastBuildingoftheNationalGalleryofArt.HereturnedtoChinaforthefirsttimein1974todesignahotelatFragrantHills,anddesignedaskyscraperinHongKongfortheBankofChinafifteenyearslater.Intheearly1980s,Peiwasthefocusofcontroversywhenhedesignedaglass-and-steelpyramidfortheLouvremuseuminParis.HelaterreturnedtotheworldoftheartsbydesigningtheMortonH.MeyersonSymphonyCenterinDallas,theMihoMuseuminJapan,andtheMuseumofIslamicArtinQatar.Peihaswonawidevarietyofprizesandawardsinthefieldofarchitecture,includingtheAIAGoldMedalin1979,thefirstPraemiumImperialeforArchitecturein1989,andtheLifetimeAchievementAwardfromtheCooper-Hewitt,NationalDesignMuseumin2003.In1983hewonthePritzkerPrize.Educationandformativeyears1948–55:EarlycareerworktogetherwithWebbandKnapp[edit]1955–90:I.M.Pei&AssociatesKennedyLibraryPeiconsiderstheJohnF.KennedyLibrary"themostimportantcommissioninmylife".Pei'sfirstproposeddesignincludedalargeglasspyramidthatwouldfilltheinteriorwithsunlight,meanttorepresenttheoptimismandhopethatKennedy'sadministrationhadsymbolizedforsomanyintheUS.Mrs.Kennedylikedthedesign,butbecauseofCambridge’effect,FinallytheprojectmovedtoColumbiaPoint,neartheUniversityofMassachusetts.Thenewsitewaslessthanideal;itwaslocatedonanoldlandfill,andjustoveralargesewagepipe.Pei'sarchitecturalteamaddedmorefilltocoverthepipeanddevelopedanelaborateventilationsystemtoconquertheodor.Anewdesignwasunveiled,combiningalargesquareglass-enclosedatriumwithatriangulartowerandacircularwalkway.DallasCityHallWorkingwithhisassociateTheodore,Peidevelopedadesigncenteredonabuildingwithatopmuchwiderthanthebottom;thefacadeleansatanangleof34degrees.Aplazastretchesoutbeforethebuilding,andaseriesofsupportcolumnsholdsitup.ItwasinfluencedbyLeCorbusier'sHighCourtbuildinginChandigarh,India;Peisoughttousethesignificantoverhangtounifybuildingandplaza.Theprojectcostmuchmorethaninitiallyexpected,andtook11years.Revenuewassecuredinpartbyincludingasubterraneanparkinggarage.Theinteriorofthecityhallislargeandspacious;windowsintheceilingabovetheeighthfloorfillthemainspacewithlight.LouvrePyramidTheLouvrePyramidisalargeglassandmetalpyramid,surroundedbythreesmallerpyramids,inthemaincourtyard(CourNapoleon)oftheLouvrePalace(PalaisduLouvre)inParis.ThelargepyramidservesasthemainentrancetotheLouvreMuseum.Completedin1989,[1]ithasbecomealandmarkofthecityofParis.DesignandconstructionCommissionedbythePresidentofFranceFrançoisMitterrandin1984,itwasdesignedbythearchitectI.M.Pei,whoisresponsibleforthedesignoftheMihoMuseuminJapanamongothers.Thestructure,whichwasconstructedentirelywithglasssegments,reachesaheightof20.6metres(about70feet);itssquarebasehassidesof35metres(115 ft).Itconsistsof603rhombus-shapedand70triangularglasssegments.ThepyramidandtheundergroundlobbybeneathitwerecreatedbecauseofaseriesofproblemswiththeLouvre'soriginalmainentrance,whichcouldnolongerhandleanenormousnumberofvisitorsonaneverydaybasis.Visitorsenteringthroughthepyramiddescendintothespaciouslobbythenre-ascendintothemainLouvrebuildings.Severalothermuseumshaveduplicatedthisconcept,mostnotablytheMuseumofScienceandIndustryinChicago.TheconstructionofthepyramidtriggeredconsiderablecontroversybecausemanypeoplefeltthatthefuturisticedificelookedquiteoutofplaceinfrontoftheLouvreMuseumwithitsclassicalarchitecture.Otherslaudedthejuxtapositionofcontrastingarchitecturalstylesasasuccessfulmergeroftheoldandthenew,theclassicalandtheultra-modern.Themainpyramidisactuallyonlythelargestofseveralglasspyramidsthatwereconstructednearthemuseum,includingthedownward-pointingLaPyramideInverséethatfunctionsasaskylightinanundergroundmallinfrontofthemuseum.Urbanlegendof666panesIthasbeenclaimedbysomethattheglasspanesintheLouvrePyramidnumberexactly666,"thenumberofthebeast",oftenassociatedwithSatan.Varioushistoricalenthusiastshavespeculatedatthepurposeofthisfactoid.Forinstance,DominiqueStezepfandt'sbookFrançoisMitterrand,GrandArchitectedeI'Universdeclaresthat"thepyramidisdedicatedtoapowerdescribedastheBeastintheBookofRevelation.Theentirestructureisbasedonthenumber6."Thestoryofthe666panesoriginatedinthe1980s,whentheofficialbrochurepublishedduringconstructiondidindeedcitethisnumber(eventwice,thoughafewpagesearlierthetotalnumberofpaneswasgivenas672instead).Thenumber666wasalsomentionedinvariousnewspapers.TheLouvremuseumhoweverstatesthatthefinishedpyramidcontains673glasspanes(603rhombiand70triangles).[5]AhigherfigurewasobtainedbyDavidA.Shugarts,whoreportsthatthepyramidcontains689piecesofglass.[6]ShugartsobtainedthefigurefromtheofficesofI.M.Pei.Variousattemptstoactuallycountthepanesinthepyramidhaveproducedslightlydiscrepantresults,buttherearedefinitelymorethan666.Themythresurfacedin2003,whenDanBrownincorporateditinhisbest-sellingnovelTheDaVinciCode,inwhichtheprotagonistreflectsthat"thispyramid,atPresidentMitterrand'sexplicitdemand,hadbeenconstructedofexactly666panesofglass-abizarrerequestthathadalwaysbeenahottopicamongconspiracybuffswhoclaimed666wasthenumberofSatan".NationalGalleryofArtTheNationalGalleryofArtisanationalartmuseum,locatedontheNationalMallinWashington,D.C.Opentothepublicfreeofcharge,themuseumwasestablishedin1937forthepeopleoftheUnitedStatesofAmericabyajointresolutionoftheUnitedStatesCongress,TTwobuildingscomprisethemuseum:theWestBuilding(1941)andtheEastBuilding(1978)linkedbyaspaciousundergroundpassage.TheWestBuilding,composedofpinkTennesseemarble,wasdesignedin1937byarchitectJohnRussellPopeinaneoclassicalstyle.(asisPope'sothernotableWashington,D.C.building,theJeffersonMemorial).DesignedintheformofanelongatedH,thebuildingiscenteredonadomedrotundamodeledontheinteriorofthePantheoninRome.Extendingeastandwestfromtherotunda,apairofhigh,skylitsculpturehallsprovideitsmaincirculationspine.Brightgardencourtsprovideacounterpointtothelongmainaxisofthebuilding.Incontrast,thedesignoftheEastBuildingbyarchitectI.M.Peiisrigorouslygeometrical,dividingthetrapezoidalshapeofthesiteintotwotriangles:oneisoscelesandtheotherasmallerrighttriangle.Thespacedefinedbytheisoscelestrianglecametohousethemuseum'spublicfunctions.Thatoutlinedbytherighttrianglebecamethestudycenter.Thetrianglesinturnbecamethebuilding'sorganizedmotif,echoedandrepeatedineverydimension.Thebuilding'smostdramaticfeatureisitshighatriumdesignedasanopeninteriorcourt,itisenclosedbyasculpturalspaceframespanning16,000 squarefeet(1,500m2).TheatriumiscenteredonthesameaxisthatformsthecirculationspinefortheWestBuildingandconstructedinthesameTennesseemarble.TheEastBuildingfocusesonmodernandcontemporaryart,withacollectionincludingworksbyPabloPicasso,HenriMatisse,JacksonPollock,AndyWarhol,RoyLichtensteinandAlexanderCalder.TheEastBuildingalsocontainsthemainofficesoftheNGAandalargeresearchfacility,CenterfortheAdvancedStudyintheVisualArts(CASVA).Thetwobuildingsareconnectedbyawalkwaybeneath4thstreet,called"theConcourse"onthemuseum'smap.In2008,theNationalGalleryofArtcommissionedAmericanartistLeoVillarealtotransformtheConcourseintoanartisticinstallation.Today,MultiverseisthelargestandmostcomplexlightsculpturebyVillarealfeaturingapproximately41,000computer-programmedLEDnodesthatrunthroughchannelsalongtheentire200-foot(61m)-longspace.[7]Theconcoursealsoincludesthefoodcourtandagiftshop.贝聿铭贝聿铭（生于1917年4月26日）是一个通常称为现代建筑主义的美籍华人建筑师。出生于广州在香港和上海长大，小时候就在苏州的花园里画灵感画。1935年他移居美国并就读于宾州大学的建筑学院，但很快转移到美国麻省理工学院。HewasunhappywiththefocusatbothschoolsonBeaux-Artsarchitecture,andspenthisfreetimeresearchingtheemergingarchitects,especiallyLeCorbusier.并利用他的自由时间研究新兴的建筑师，尤其是柯布西耶。Aftergraduating,hejoinedtheHarvardGraduateSchoolofDesign(GSD)andbecamefriendswiththeBauhausarchitectsWalterGropiusandMarcelBreuer.毕业后，他加入了哈佛大学学院的研究生，并与包豪斯建筑师沃尔特格罗皮乌斯和马塞尔布鲁尔成为了朋友。PeispenttenyearsworkingwithNewYorkrealestatemagnateWilliamZeckendorfbeforeestablishinghisownindependentdesignfirmthateventuallybecamePeiCobbFreed& Partners.贝聿铭在建立自己独立的设计公司之前，花了十年年头与纽约房地产大亨威廉Zeckendorf合作。AmongtheearlyprojectsonwhichPeitooktheleadweretheL'EnfantPlazaHotelinWashington,DCandtheGreenBuildingatMIT.其中贝聿铭领导参加了的早期项目有华盛顿特区的欧莱雅Enfant广场酒店和麻省理工学院绿色建筑。HisfirstmajorrecognitioncamewiththeNationalCenterforAtmosphericResearchinColorado;hisnewstatureledtohisselectionaschiefarchitectfortheJohnF.KennedyLibraryinMassachusetts.他的第一次被郑重承认是在他想出了一个在美国科罗拉多州的国家大气研究中心开始的，他的新地位导致了他的选择，作为首席设计师设计了在马萨诸塞州约翰肯尼迪图书馆。HewentontodesignDallasCityHallandtheEastBuildingoftheNationalGalleryofArt.他继续设计达拉斯市政厅和东方大厦国家艺术馆。1974年HereturnedtoChinaforthefirsttimein1974todesignahotelatFragrantHills,anddesignedaskyscraperinHongKongfortheBankofChinafifteenyearslater.他第一次回到了中国在酒店设计香山，并设计一个香港的摩天大楼中国银行。十五年后。Intheearly1980s,Peiwasthefocusofcontroversywhenhedesignedaglass-and-steelpyramidfortheLouvremuseuminParis.在80年代初，他设计是争议的焦点，当他以玻璃和钢金字塔为罗浮宫巴黎博物馆研究。HelaterreturnedtotheworldoftheartsbydesigningtheMortonH.MeyersonSymphonyCenterinDallas,theMihoMuseuminJapan,andtheMuseumofIslamicArtinQatar.后来他回到了艺术世界设计了达拉斯莫顿阁下梅尔森交响乐中心，日本美秀博物馆和卡塔尔伊斯兰艺术博物馆。Peihaswonawidevarietyofprizesandawardsinthefieldofarchitecture,includingtheAIAGoldMedalin1979,thefirstPraemiumImperialeforArchitecturein1989,andtheLifetimeAchievementAwardfromtheCooper-Hewitt,NationalDesignMuseumin2003.贝聿铭赢得了包括外地的建筑各种奖金和奖项包括1979年的金奖友邦保险，1989年设计的第一个日本皇家世界文化的建筑，2003年库珀休伊特国家设计博物馆获终身成就奖。In1983hewonthePritzkerPrize,sometimescalledtheNobelPrizeofarchitecture.1983年，他赢得了普利策奖。职业生涯[edit]1948–55:EarlycareerwithWebbandKnapp48年至55年：职业生涯早期和纳普韦布合作[edit]1955–90:IMPei&Associates1955年至1990年：贝聿铭事务所约翰肯尼迪图书馆PeiconsiderstheJohnF.KennedyLibrary"themostimportantcommissioninmylife".[56]贝聿铭认为约翰肯尼迪图书馆“在我生命中最重要的委员会”。Pei'sfirstproposeddesignincludedalargeglasspyramidthatwouldfilltheinteriorwithsunlight,meanttorepresenttheoptimismandhopethatKennedy'sadministrationhadsymbolizedforsomanyintheUS.贝聿铭的设计包括首先提出一个巨大的玻璃金字塔填补室内的阳光，这样能代乐观，并希望肯尼迪政府曾在美国有这么大的象征。这是Mrs.Kennedylikedthedesign,butresistancebeganinCambridge,thefirstproposedsiteforthebuilding,assoonastheprojectwasannounced.肯尼迪夫人喜欢的设计，但由于剑桥的影响，FinallytheprojectmovedtoColumbiaPoint,neartheUniversityofMassachusetts.最后，项目转移到哥伦比亚点，马萨诸塞大学附近的。Thenewsitewaslessthanideal;itwaslocatedonanoldlandfill,andjustoveralargesewagepipe.新地点是不够理想的，它设在一个旧垃圾填埋场刚好通过一大型污水管道。Pei'sarchitecturalteamaddedmorefilltocoverthepipeanddevelopedanelaborateventilationsystemtoconquertheodor.贝聿铭的建筑队增加了更多的填埋管道，并制定了一个详细的通风系统，以征服的气味。Anewdesignwasunveiled,combiningalargesquareglass-enclosedatriumwithatriangulartowerandacircularwalkway.[59]推出一个新的设计，结合大方形玻璃封闭心房的三角塔和一个圆形走道。达拉斯市政厅的设计主要理念是Pei'sapproachtothenewDallasCityHallmirroredthoseofotherprojects;hesurveyedthesurroundingareaandworkedtomakethebuildingfit.商务高楼与公私营部门的相互对话”。[66]WorkingwithhisassociateTheodoreMusho,Peidevelopedadesigncenteredonabuildingwithatopmuchwiderthanthebottom;thefacadeleansatanangleof34degrees.与他的同伴西奥多合作，贝聿铭开发的一个具有最高比底部宽建设为中心的设计，立面以34度角倾斜。Aplazastretchesoutbeforethebuilding,andaseriesofsupportcolumnsholdsitup.伸出前的广场建设，以及支持列系列拥有它。ItwasinfluencedbyLeCorbusier'sHighCourtbuildinginChandigarh,India;Peisoughttousethesignificantoverhangtounifybuildingandplaza.这是受柯布西耶的昌迪加尔高等法院建设，贝聿铭试图利用重大悬统一建设和广场。Theprojectcostmuchmorethaninitiallyexpected,andtook11years.该项目的成本远远超过最初的预期，并采取了11年。Revenuewassecuredinpartbyincludingasubterraneanparkinggarage.部分的收入为担保，包括一个地下停车库。Theinteriorofthecityhallislargeandspacious;windowsintheceilingabovetheeighthfloorfillthemainspacewithlight.[67]大厅内的城市是宽敞明亮，落地玻璃窗第八天花板的填充空间光为主。罗浮宫金字塔TheLouvrePyramid(PyramideduLouvre)isalargeglassandmetalpyramid,surroundedbythreesmallerpyramids,inthemaincourtyard(CourNapoleon)oftheLouvrePalace(PalaisduLouvre)inParis.卢浮宫金字塔是一座大型的玻璃和金属的金字塔，金字塔周围三个小的金字塔，在巴黎卢浮宫主要的庭院。ThelargepyramidservesasthemainentrancetotheLouvreMuseum.大金字塔作为卢浮宫博物馆的主要入口。1989年完成的，它已经成为巴黎的一个标志。1．设计及建造1984年受CommissionedbythePresidentofFranceFrançoisMitterrandin1984,itwasdesignedbythearchitectIMPei,whoisresponsibleforthedesignoftheMihoMuseuminJapanamongothers.法国总统弗朗索瓦密特朗的委托，它的设计是由曾负责设计日本美秀博物馆等的建筑师贝聿铭担任。它Thestructure,whichwasconstructedentirelywithglasssegments,reachesaheightof20.6metres(about70feet);itssquarebasehassidesof35metres(115 ft).的结构完全用玻璃建造，达到20.6米（约70英尺）的高度，其基地面积为35米（115英尺）。Itconsistsof603rhombus-shapedand70triangularglasssegments.[2]它由603段玻璃和70段菱形三角玻璃。ThepyramidandtheundergroundlobbybeneathitwerecreatedbecauseofaseriesofproblemswiththeLouvre'soriginalmainentrance,whichcouldnolongerhandleanenormousnumberofvisitorsonaneverydaybasis.金字塔和其下的地下大厅是因为使卢浮宫的原正门可以不再处理日常基础上的巨大数量的游客一系列问题。Visitorsenteringthroughthepyramiddescendintothespaciouslobbythenre-ascendintothemainLouvrebuildings.入境游客通过金字塔进入宽敞的大堂，然后下降再提升到卢浮宫主建筑。Severalothermuseumshaveduplicatedthisconcept,mostnotablytheMuseumofScienceandIndustryinChicago.其他几个博物馆有重复这个概念，最突出的是芝加哥科学与工业博物馆。2．[edit]Controversy争议TheconstructionofthepyramidtriggeredconsiderablecontroversybecausemanypeoplefeltthatthefuturisticedificelookedquiteoutofplaceinfrontoftheLouvreMuseumwithitsclassicalarchitecture.金字塔的建造引起很大的争议，因为很多人认为，他卢浮宫博物馆前的现代玻璃的建筑与古典建筑相当格格不入。Certaindetractorsascribeda"Pharaoniccomplex"toMitterrand.Otherslaudedthejuxtapositionofcontrastingarchitecturalstylesasasuccessfulmergeroftheoldandthenew,theclassicalandtheultra-modern.别人称赞这是作为旧的和新的的对比，古典与超现代的建筑风格并存的成功。Themainpyramidisactuallyonlythelargestofseveralglasspyramidsthatwereconstructednearthemuseum,includingthedownward-pointingLaPyramideInverséethatfunctionsasaskylightinanundergroundmallinfrontofthemuseum.其实只是一些最大的玻璃金字塔建造了博物馆附近，包括向下香格里拉金字塔。[edit]Urbanlegendof666panes3.666窗格城市传奇IthasbeenclaimedbysomethattheglasspanesintheLouvrePyramidnumberexactly666,"thenumberofthebeast",oftenassociatedwithSatan.据一些声称“卢浮宫玻璃金字塔的窗格恰好666号正是野兽的数字”，经常与撒旦有关。Varioushistoricalenthusiastshavespeculatedatthepurposeofthisfactoid.不同的历史爱好者纷纷猜测在这个设计的目的。Forinstance,DominiqueStezepfandt'sbookFrançoisMitterrand,GrandArchitectedel'Universdeclaresthat"thepyramidisdedicatedtoapowerdescribedastheBeastintheBookofRevelation(...)Theentirestructureisbasedonthenumber6."例如，多米尼克Stezepfandt的书弗朗索瓦密特朗，宣称“金字塔是献给在野兽的权力，整个结构的基础为6号”。666窗格Thestoryofthe666panesoriginatedinthe1980s,whentheofficialbrochurepublishedduringconstructiondidindeedcitethisnumber(eventwice,thoughafewpagesearlierthetotalnumberofpaneswasgivenas672instead).起源于20世纪80年代，当官方公布的小册子在施工期间确实提出这个号码（甚至两倍，但越早窗格总数为672，而不是给了几页）的故事。Thenumber666wasalsomentionedinvariousnewspapers.666这个数字还在各种报刊上提到了。TheLouvremuseumhoweverstatesthatthefinishedpyramidcontains673glasspanes(603rhombiand70triangles).[5]AhigherfigurewasobtainedbyDavidA.Shugarts,whoreportsthatthepyramidcontains689piecesofglass.[6]ShugartsobtainedthefigurefromtheofficesofIMPei.然而，卢浮宫博物馆指出，成品玻璃金字塔包含673窗格（603菱形和70个三角形）。报道说，玻璃金字塔包含689件。Shugarts获得了由贝聿铭办事处的数字。在实际各种尝试计算金字塔的窗格稍微不一致的结果已经产生，但也绝对是666。NationalGalleryofArt国家艺术馆FromWikipedia,thefreeencyclopedia国家艺术画廊是一个位于华盛顿国家广场国家艺术博物馆并且免费向市民公开向，1937年博物馆成立，TheGallery'scampusincludestheoriginalneoclassicalWestBuildingdesignedbyJohnRussellPope,whichislinkedundergroundtothemodernEastBuildingdesignedbyIMPei,andthe6.1-acre(25,000m2)SculptureGarden.Twobuildingscomprisethemuseum:theWestBuilding(1941)andtheEastBuilding(1978)linkedbyaspaciousundergroundpassage.两座建筑物包括博物馆：西方建筑（1941）和东方大厦（1978）由一间宽敞的地下通道相连。TheWestBuilding,composedofpinkTennesseemarble,wasdesignedin1937byarchitectJohnRussellPopeinaneoclassicalstyle.(asisPope'sothernotableWashington,DCbuilding,theJeffersonMemorial).西大厦，是1937年由建筑师JohnRussellPope以新古典主义风格设计的。运用的田纳西州粉红色大理石DesignedintheformofanelongatedH,thebuildingiscenteredonadomedrotundamodeledontheinteriorofthePantheoninRome.ħ设计了一个拉长的形式，建筑的中心是在室内的一个圆顶的圆形建筑罗马万神殿为蓝本举行。Extendingeastandwestfromtherotunda,apairofhigh,skylitsculpturehallsprovideitsmaincirculationspine.扩大东部和西部的圆形大厅，一高一对，雕塑厅提供的主要流通脊椎。Brightgardencourtsprovideacounterpointtothelongmainaxisofthebuilding.明园法庭提供一个对应的建筑，主轴线。Incontrast,thedesignoftheEastBuildingbyarchitectIMPeiisrigorouslygeometrical,dividingthetrapezoidalshapeofthesiteintotwotriangles:oneisoscelesandtheotherasmallerrighttriangle.与此相反，建筑师贝聿铭设计的东方大厦是由严格的几何形划分成两个三角形的网站梯形形状：一等腰三角形和一个较小的直角三角形。Thespacedefinedbytheisoscelestrianglecametohousethemuseum'spublicfunctions.由等腰三角形定义的空间用来满足博物馆的公共聚会职能。Thatoutlinedbytherighttrianglebecamethestudycenter.由直角三角形概述，成为研究的中心。Thetrianglesinturnbecamethebuilding'sorganizedmotif,echoedandrepeatedineverydimension.反过来，三角形变成了建筑的举办主题，回荡在每一个维度重复。Thebuilding'smostdramaticfeatureisitshighatriumdesignedasanopeninteriorcourt,itisenclosedbyasculpturalspaceframespanning16,000 squarefeet(1,500m2).该建筑的最显著的特点是其高庭，他设计为一个开放的室内球场，这雕塑由一个封闭的空间（1500架跨越一点六〇〇万平方英尺。TheatriumiscenteredonthesameaxisthatformsthecirculationspinefortheWestBuildingandconstructedinthesameTennesseemarble.[5]Startingin2005,thejointsattachingthemarblepanelstothewallsbegantoshowsignsofstrain,creatingariskofpanelsfallingoffthebuildingontothepublicbelow.该庭是集中在同一田纳西大理石一样流通脊柱为轴心，构成了西方建筑和建造英寸。TheEastBuildingfocusesonmodernandcontemporaryart,withacollectionincludingworksbyPabloPicasso,HenriMatisse,JacksonPollock,AndyWarhol,RoyLichtensteinandAlexanderCalder.东馆着重于现代和当代艺术，并请按收集作品，包括毕加索，马蒂斯，杰克逊波洛克，安迪沃霍尔，李奇登斯坦和亚历山大考尔德。TheEastBuildingalsocontainsthemainofficesoftheNGAandalargeresearchfacility,CenterfortheAdvancedStudyintheVisualArts(CASVA).东方大厦也包含在视觉艺术（CASVA）和一个大型研究设施，研究中心高级研究的主要办事处。Thetwobuildingsareconnectedbyawalkwaybeneath4thstreet,called"theConcourse"onthemuseum'smap.在两座建筑物连接由四街天桥下，呼吁博物馆的地图的“广场”。In2008,theNationalGalleryofArtcommissionedAmericanartistLeoVillarealtotransformtheConcourseintoanartisticinstallation.2008年，国家艺术画廊委托美国艺术家利奥维拉尔改造成的艺术大堂安装一个。Today,MultiverseisthelargestandmostcomplexlightsculpturebyVillarealfeaturingapproximately41,000computer-programmedLEDnodesthatrunthroughchannelsalongtheentire200-foot(61m)-longspace.[7]Theconcoursealsoincludesthefoodcourtandagiftshop.如今，多元宇宙是最大和最复杂的光雕塑由维拉尔具有约41,000位电脑程序61个节点的LED（即贯穿在整个渠道200英尺长的空间。大堂还包括美食广场和一家礼品店。