“80后”论文：”80后” 动画片 怀旧 身份认同 审美救赎

“80后”论文：”80后” 动画片 怀旧 身份认同 审美救赎 “80后”论文:”80后” 动画片 怀旧 身份认同 审美救赎 【中文摘要】今天出现了一种“80后”对其童年时期接受的那批动画片的怀旧现象,网上、电视中、消费品等都体现着这种独特的怀旧文化。这缘于“80后”本身独特性的成长环境以及他们今天所面临的生存困境,也是现代消费社会精心策划的结果。作为独生子女的“80后”在被宠爱着长大之后,成年之后他们所须面临的生活压力却是他们无法承受的,他们无法得到自我认同,在这个社会中无力的漂泊着。另一方面,今天消费社会所带来的是大量的消费品,以及通过与媒体的合谋来促进消费的种种手段,也正因为如此,“80后”需要通过对童年动画片的怀旧这种审美活动来寻求一种心灵的救赎机制。根据这种怀旧的不同特点,可以将这种怀旧梳理出四种类型:重返童年式、忆苦思甜式、寻找认同式、消费时尚式,这四种类型有时并不是完全分离的,也有交叉重叠的部分。重返童年式是一种单纯的消极的怀旧模式,企图通过对童年时代动画片的怀旧,逃避现实生活,重返过去。忆苦思甜式怀旧则是一种具有批判性的怀旧,通过这种审美活动,“80后”能够辩证的看来过去与现在的生活,从而得到今天生活的动力。寻找认同式怀旧是“80后”通过对童年动画片的怀旧活动来寻求认同,在社会和历史维度找到自我的标的。消费时尚式怀旧则是消费社会通过自身的机制将动画片怀旧文化制造成一种时尚,让“80后”通过怀旧追随这种时尚进行消费。而这种怀旧也为当今“80后”的生存提供了审美救赎的重要路径,这是从三个方面来体现的:赋予日常生活以审美意义、赋予现代生活以距离之美、实现“都市思 乡者”的审美回归。“80后”通过怀旧这种审美活动将日常生活元素 纳入审美的范畴之中,将其赋予审美的意义。对童年时代动画片怀旧 这种审美方式拉开了审美的距离,通过怀旧对过去的东西进行审美, 赋予了现代生活另一个审美的维度。同时,对童年时代动画片的怀旧 也让“80后”这些“都市思乡者”通过审美实现了自己的心灵回归。 【英文摘要】Today there is a phenomenon which is the“post-’ 80 generation”nostalgia phenomenon about carton that they accepted in their childhood.The phenomenon occur in many areas, in internet, television and on other consumer goods.This kind of phenomenon due to the growth environment of the“post-’ 80 generation”and the survival of their predicament faced today.It is also the result of modern consumer society carefully planned.As the only child of the family,“post-’ 80 generation”was spoiled growing up,when they grown up,they face the pressure to be true they can not afford.They can not be self-identity,in this society was drifting powerless.On the other hand,today’s consumer society brought about by a large number of consumer goods,and combined with the media to promote various means of consumption.Precisely because of this,“post-’ 80 generation”need this kind of nostalgic childhood cartoon aesthetic activity to seek a mechanism for the salvation of souls.According to the different characteristics of this nostalgia,we can divided it into four types:the type of back to the childhood,the type of painful memories and happy life,the type of find identity and the type of consuming fashion. These four types are not completely separate,there are overlapping sometimes.The type of back to the childhood is a return to childhood nostalgia for the simple passive model,an attempt by nostalgic childhood cartoon,escape life,to return to the past.The type of painful memories and happy life nostalgia is a kind of crtical nostalgia,and through this aesthetic activities,“post-’80 generation”to the dialectical view of life past and present,resulting in the power of life today. The type of find identity style is the type of identification,“post-’80 generation”animated by nostalgia for childhood activities to search for identity in the social and historical dimensions of the subject finds himself.The type of consumer fashion style nostalgia is a consumer society through its own mechanisms culture of manufacturing into a retro cartoon fashion,so that“post-’80 generation”after this fashion by following the consumption of nostalgia.This nostalgia provides the“post-’80 generation”the survival of the important of aesthetic redemption.This is reflected in three aspects:give aesthetic significance to our daily life,to give the distance beauty of modern life and achieve aesthetic regression of the“urban homesickness”.“post-’80 generation” through this nostalgic aesthetic elements of daily life activities into the aesthetic aspects, to give aesthetic significance. Childhood nostalgia for cartoon opened this aesthetic way of aesthetic distance, the things of the past through nostalgia for the aesthetic, given another aesthetic dimension of modern life.Meanwhile, the nostalgic childhood cartoon also make“post-’80 generation”,the“urban homesickness”through the hearts of the aesthetic to achieve their return. 【关键词】”80后” 动画片 怀旧 身份认同 审美救赎 【英文关键词】”post-’80 generation” carton nostalgia identity aesthetic regression 【目录】审美视域中的影像记忆 摘要 4-5 Abstract 5-6 导论 8-13 第一章 “80 后” 童年时代动画片怀旧现象的审美缘起 13-25 第一节 “80 后” 的生存困境 13-18 一 失落“80 后”的身份认同危机 13-16 二 游牧“80 后”的城市思乡病 16-18 第二节 现 代消费社会的精心策划 18-25 一 消费社会同媒体的合谋 18-21 二 视觉饕餮后怀旧的精神“果丹皮” 21-25 第 二章 “80 后”童年时代的动画片怀旧现象的审美类型 25-37 第一节 重返童年式怀旧 25-28 第二节 忆苦思甜式怀旧 28-30 第三节 寻找认同式怀旧 30-34 第四节 消费时尚式怀旧 34-37 第三章 “80 后”童年时代动画片的怀旧现象的审美意义 37-44 第一节 赋予日常生活以审美意义 37-40 第二节 赋予现代生活以距离之美 40-42 第三节 实现“都市思乡者”的审美回归 42-44 结语 44-46 参考文献 46-48 致谢 48-49 在校期间发的学术论文 49 【采买全文】 1.3.9.9.38.8.4.8 1.3.8.1.13.7.2.1 同时提供论文写作一对一辅导和论文发表服务.保过包发 【说明】本文仅为中国学术文献总库合作提供，无涉版权。作者如有异议请与总库或学校联系。