如何学好萨克斯,练好肺活量

如何学好萨克斯,练好肺活量 一克斯的音肌肉:音后要吹出,使哨片充分振, 萨萨萨萨——萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 漫漫地由弱再由弱。吹奏者萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨强强每个音的音高与哨片振的肌 肉感,从而找出最佳音色。萨萨萨萨萨萨萨萨萨萨萨 二.萨克斯演奏呼吸方法 人日常是运用胸式呼吸,是一生理运。而管吹奏中的呼吸,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨是运用胸腹式合呼吸法。是管吹奏至重要的一萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨。音、音步 准,高低音、音色、力度等的控制,拍中重音与弱音的演奏,曲萨萨萨萨萨萨萨萨萨萨萨萨萨萨中予以合乎范而又以准的理,句短的划分等等多萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨音的演奏技巧,无不与呼吸有着直接的系。因此,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨重正确呼吸法,真能提高吹奏技。同呼吸不正 确,容易使肺部疲而受。萨萨萨萨萨 萨于吸气 吸气,用两嘴角和鼻自然、平静、快速而无声,将萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 气吸入肺的叶下部位,同,胸腔、两肋、腰部四周,腹部都萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨要自然。当胸腔向横隔膜萨萨萨萨萨萨萨萨萨萨萨萨萨(位于胸、腹之能伸的薄膜 萨萨萨萨萨萨萨)往下移,腹部萨萨萨萨的内、胃等有固定体却能移,一旦受到横脯膜下萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 降的力,腹部内又向腹壁移,就会使肚子鼓起,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 萨萨萨萨萨萨萨萨萨萨并不是把气吸到肚子里,因腹部没有呼吸器官,而是吸气胸腔的,横隔膜的下降,腹部的移,使肚子鼓起。大了胸腔的空萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨使腹部得以,肺愈,吸入的气也就愈多。横隔膜下降一厘米,可使容气体大萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨250—300立方厘米,若作吸气,一般横隔膜可下降强萨萨萨萨萨萨萨萨萨萨3—4厘米。因此,胸腹式呼吸法,由于胸肌,腹肌同作,可使气量达到最大程度,气息的萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨控制根据音的需要可达到自如,不易疲,可合理的呼吸方法。萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 萨于呼气 呼气(萨音)萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨,利用的胸、横隔膜和腹肌合控制,在保持吸气,腹部鼓起的状下,腹壁逐收回原状。同,借助于腹肌的力和横隔膜的支撑力,使吸气下降的横萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨隔膜逐抬起回原位,将气流控制成如同一根非常自然、平、均匀、有制、通地萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨“”气柱呼出。 萨萨 方法 1,仰面平躺床上,两腿自然平呻,如同睡,自然行呼吸,双手在萨萨萨萨萨萨萨萨萨萨萨萨胸腔,腹部两肋、腰部四周,体会各部位的正确呼吸作。萨萨萨 2,用花、香菜、大口吸香烟和作深呼吸的感,体会呼吸的正确部位。萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 3,从珀等运后急促呼吸状中,体会呼吸的正确部位。步萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 4,通以上几方面呼吸部位的体会,可站立,两腿分与局同,一手放萨萨萨萨萨萨萨萨萨’萨萨萨萨萨腹部或腰 一手手心嘴萨萨(或笔帽口型打基萨萨萨萨萨萨萨萨萨萨),呼气控制气息的能力,和吸萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨气各部位作是否正确。萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨一遍呼吸,要求吸气要快要吸足每(但吹奏程中。一般萨萨萨萨萨萨避免吸得足萨萨),呼气要慢,要在十秒以上,通达到正确自如地萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨掌握胸腹式呼吸法。 5,在程中萨萨萨萨萨,吸气一定防止提胸、抬肩、收腹,一定防止呼气猛、不匀、萨萨萨萨萨萨不、短。萨萨萨萨萨萨萨 三克斯演奏基本方法运用 萨 吐音:管吹奏技取 萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨决于唇、舌、呼吸、手指的同作。因此,运用舌吐音是吹奏技萨萨萨萨萨萨“萨”萨萨萨萨萨萨的一个重要。不最少家学糟糕者也吐音是管吹奏者的人,践也明,由于运用吐音上的,不能萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨完美地作品。于运用舌吐音的几个:萨萨萨 1,舌与气速:运用舌吐音,要萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨形成定而激的高气速,吐音效果萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨能改善。反之,气速不定,而以松散、无聚集力,无控制地呼吸,不是正确的胸腹式呼吸,没有用正确的气息吹奏,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨即是运用舌吐音也不奏效。因此,必学萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨个音生真呼吸,以形每及通音, 成适当、准确、定而萨萨萨萨萨萨萨萨萨萨萨 激的高气速。2,吐音的萨萨萨萨萨萨萨萨萨萨萨萨舌状、位置、作起吹的音原理:吐音的萨萨萨萨————松弛舌自然,状微微抬起,位置 “””“”萨萨——尖稍向上投,接触哨片,尖的下沿,接触两尖的部位要小而少,作舌前半部的音尖,既是在微微什萨萨萨萨“”“”萨萨萨萨萨萨突,又是在工下或都音。微地触哨片尖的下沿,舌的状位置、作要萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨反琢磨,不断苦,才能使音在吐音放松,舒适自然,吐音效果才能达到干清楚美萨萨萨萨萨萨萨——萨萨萨萨达到快吐音,起吐音气的程度。吐音要以慢起,逐火的音原理步 不能断,气萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨始保持在音尖周,当舌触及哨片尖的下沿萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨,使气流不能通笛与哨片之的口入笛管,舌尖阻止了气流使哨片不能生振,音也就止了,当萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨舌尖离哨片尖 的下沿萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨,使气流通笛与哨片之的口,由哨片生振 萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨而音,舌尖触及哨片尖下沿的愈短,离愈,音愈,音萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨尖触及哨片尖下沿的愈,离愈短,音愈短,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 舌尖起到如同活塞或的作用。3. 吐音的萨萨萨萨萨萨萨主要毛病: 第一,舌尖舌萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨根前后大,不延音的作,而互脖子、喉双唇、面部肌肉都,音萨萨萨萨萨萨萨“萨萨”欧效果出(diu ou)或“”歹哀(dai),以及其它混萨萨萨声音,破坏音萨萨萨 萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨格第,是二,很糟糕的吐音。舌触及哨片的面多、、重、猛,出的声音死硬,使声音失常,破坏音萨 萨萨萨萨萨萨萨第效果。三,在的吐音中,起吹一音断每气一次吸气一次,多此一萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨造成唇部。两腮、部也,使起吹的音萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨粗野听,破坏音效果。以上吐音毛病,必按照前面萨萨萨萨萨萨萨萨萨萨萨萨 述的两个加以正。4,五形萨 萨萨萨——第式的吐音法:一,吐法采用三个音吐音:萨“萨”突(tu)、都“”(du)、“”啦(1a)。“”萨萨萨萨萨萨萨萨萨萨萨突式吐音,常采用于演奏干脆快速的萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨段,个音在音吐音,可以增舌作的定性,而且作捷,所以个音称之基本萨“”萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨吨音,使演各者出各表情化和有特点的音效果。如、短、快、慢、、弱,但就强其萨“萨”出突(tu)音的原萨萨萨萨“”“萨萨”印式吐法,又始不。称音,舌萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨的位置和作大致同基本吐音法,音可稍稍平一点点,舌尖可稍微呈形萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨,起音作要有柔的意念,使出的声音柔和并更富有萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨格,吐音常用于抒情旋律段的演奏和断音(Legato—Staccato)的演奏。“”萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨啦式吐法,用的少,但很有用,舌在哨片尖下沿微一,是挨非挨,断音极萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨弱的吐音,使你能感到,而又听不到的效果,理的极其灵巧微妙,吐音充分展萨萨萨萨 萨萨第出高超演奏家的二双法特。(又称萨萨萨吐法)—双吐法用:突——萨”(tu—ku)或“—”特卡(tc—ka)两个音。双吐需要萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨交替使用两不同的起音和收音方法,一般采用音阻止哨片扳萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨和咽部切断气流两方式交替使用的方法。双吐法擅于演奏快速的句,需有吐法的萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨良它基,并音力度的控制和音表方面有好的素,做到奏出的声音奏平、音量平萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨衡,起吹音一,掌握十分熟,才能在曲演春中,运用自如。 第三,三吐法用——“————萨”突突(tu—tu—ku)或“————”特特卡(te—tc—ka)三个音。萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨吐法可同双吐法一奏出极快的力,特适合三音形式或三个不同音反形式的勾萨萨萨萨“”萨萨萨萨萨萨萨萨萨萨萨萨萨构。三吐法常常使一次反的突得分每突出,所以有些演奏者采用另外一些吐音的音,如:萨萨萨萨萨萨tu—ku—tu或ku——tu---Kuo 第四,气吐法用——“”夫(fu)或都“”夫(du fu)音的口型。吐音是克管在演奏音常用萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨的一吐音法。,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨尽可能少舍笛,上靠近笛前,下展尽量放松,做到上下萨萨萨“萨”夫松,哎音可直接由气出(fu)声,也可以音出都萨“”夫(dufu),此音多用于慢的萨萨萨萨 萨萨萨第五抒情,法曲。(又称萨萨音)——萨萨萨萨Frullato,音萨萨萨用“萨萨…”突(tululu…)是用舌萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨快速的奏法。吐音在演奏中 很少用,使用于特殊的音萨萨萨萨 效果。5,吐法萨萨萨(也称基本吐音法)——演奏者根据音萨表情化萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨“萨”突的特点,可出、重、短等各起吹效果,但(tu)音萨萨萨萨萨 萨萨萨萨萨的音原第一,音始不。(萨奏)Legato萨萨 萨萨萨萨萨萨萨萨萨萨萨在演奏音内的若干音符,除第一音按音萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨格吐音外,内的其它音符,不用舌吐音,通改唇肌的弛和呼吸能量加上指法的,不萨萨萨萨萨萨 第断地用一口气使音与音之二,滑地演春。柔和起吹(粘萨)Portato萨萨萨萨萨萨萨“萨”在演奏中,如同次奏音,但用(du)音,不萨萨萨萨萨萨萨萨萨萨萨萨萨萨断地十分地用舌萨萨萨萨萨 萨萨柔舒展地起吹个音,用于每富有表第力的三,美抒情的曲中。次音(断萨音)mczzo staccato萨萨萨萨在演奏中,介乎奏IJeSato与断奏Staccat。之的演奏法,用基本吐萨萨萨萨萨萨萨萨萨萨音法“突"tu)音起吹萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨个音,在演奏每柏的上,占四分之三柏。第四,保持音Tenuto每萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨在演奏中,要奏足音符的,其效果与各Iegato相似,音与音之要萨萨萨萨萨萨萨滑,用基本吐音法“”突(tu)音起吹萨萨萨萨萨萨萨萨萨个音,是区奏Legato每和柔和超吹Portato的地方。重音起吹 第五,重音春法accent萨萨“”在演奏中,用基本吐音法突(tu) 音起吹,在一拍的内萨萨萨萨萨萨萨萨萨萨萨奏出由弱的强萨萨萨 萨萨效果,主要是音与富有短音起吹性的腹肌作的控制。第六,音奏法martele(staccatissimo)萨萨“”在演奏中,用基本吐音法突(tu)音起吹,萨萨萨萨萨个音要奏只是每得短促有力,奏出的萨萨萨萨 第七效果是的四分之一拍。,断音参法Staccato萨萨在演奏中,用基本吐音法 “”突(tu)音起吹,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨只是更富有性和粒性、奏出的效果是的二分之一柏 第八,定音奏法tremolo萨萨“” 在演奏中,用基本吐音法突(tu)音起吹,要快速、萨萨萨萨萨萨萨萨萨萨萨干、平滑、均匀地来回交替反萨 萨萨萨萨第九地吹奏。,音奏法Trill萨萨萨萨萨萨萨萨在演奏中,从的本音始到其上方音再回到本音,根据音的需要萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨反快速地演奏。在克管演奏中,运用式自然音,萨萨“——————萨……”呀呀呀呀(ya—ya—ya —ya……”)音。克管运用萨萨萨萨萨萨萨自然音是以音的萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨格和特定句的情特征决定的,是以正的,的音建立于演奏者器萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨极微妙的控制,以及自身的音修的基之上,从而使演奏的音听起来流萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨 萨第柔和、丰悦耳。我要学研究、模仿各最好的家的自然音。 十,滑音各法Glissando萨萨萨萨萨萨萨萨萨萨在演奏中,滑音是声音由低到高或由高到低的化程,在个萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨程中由下下唇改簧片的林面和短而得到下滑音和上滑音。下滑音:用下萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨下尽在放松控制的同向外伸展,使簧片的振面增多增,上滑音:必在会下滑音的基上再上萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨滑音。上滑音的方法,与下滑音的程相反,先由下下唇,由伸展放松控制的状,萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨恢到正常的音,型。滑音的运用以音的格和情特征的需要,多听好的爵士萨萨萨 以上是常用的起吹法,不是和音,掌握和提高滑音的技巧。全部演奏手投,演奏者使用的演奏法愈多,愈准确,愈萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨熟,他的演奏技巧也就愈高。 希望你萨萨萨萨萨萨萨萨萨萨能有帮助,加油: ，料萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨萨本人原,但是的部分国外教授以及恩克斯管演奏家?教育家璨老萨萨萨萨萨授的,