王小波小说艺术的渊源与创化英文

王小波小说艺术的渊源与创化英文 Wang Xiaobo novel The Origin and Creation in Art Zhang Yi-hong (Gansu Traditional Chinese Medicine, Lanzhou 730000) 【Abstract】In this paper, the Carnival of Wang Xiaobo Western Style on the background of contemporary literature, the search for Wang Xiaobo Fiction Origin and Creation in the trail. Thesis that: Wang Xiaobo conscious of the traditional use of text among the text rewritten and transformed, to parody, subversion or a rich sense of purpose, which is a characteristic of post-modern writing; in the narrative, he sent the French new novel, Duras and deeply influenced Calvino, the paper investigated from two aspects: 1. objectivity and irony, 2. structure and rhythm. Wang Xiaobo and the United States last compare similarities and differences between black humor faction that he creatively developed the art of black humor way, and formed its own characteristics. In modern ironic humor of the reference frame, Wang Xiaobo not only increased the extraordinary dimension of imagination and dark humor, and the Lu Xun to develop further into the carnival tradition, unique in contemporary literature, occupies an important position. 【Key words】Origin and Creation in; carnival and sports; black humor; Intertextuality Wang Xiaobo is a contemporary Chinese literature and even a 20th Century Chinese Literature and World Literature convergence can be very unique and important writer. In this process accelerated expansion of commercial culture and muster the 90's materialism, Wang Xiaobo not like the new style writer who drift to self-indulgent way mad exposed Mei Yue public; also like the so-called idealists, hopes Religion , human, civil, etc., or abstract or mediocre value. His face fate of Chinese history, since 54 connecting the liberal Mountains, inheritance of modern Chinese intellectuals critical intervention in the social reality of the glorious traditions of their own social and historical processes involved in speech. Art in the novel he absorbing, to the highest achievements of modern European and American novels into the position of the value of clear-cut construction, it created one of the world literature, Lin and unique style. But critics on art and style of Wang Xiaobo in the novel's creation and not given sufficient attention. Wang Xiaobo in the "From" Golden Age> On the Art of Novel "said his writing style as" black humor. " Cui Weiping in the "Carnival Curse regeneration" in the crown of the "Carnival of Style." Yi Habu • Hassan to "Carnival" into the post-modernist features of 11: "Carnival, the word natural is the creation of Bakhtin, it is richly covered uncertainty, fragmented, non-principled, selfless nature , irony, species mix, etc., ... ... but the word also conveys postmodern comic-style ethos and even absurd, ... ... carnival in the deeper meaning 'of a multi-character voice' --- the language of the centrifugal force. interdependence of things joy, perspective and behavior, participation in life's wild laughter of immanence. Indeed, Bakhtin and Carnival are known as novel anti-system --- that is, may be that postmodernism itself, the least that his game of subversion, Conceiving the elements of Soviet students. "? Although he studied under Wang Xiaobo, such as the Western novelist Italo Calvino, the French New Novel Group, the United States to send black humor are all being included in postmodern camp, but Wang Wavelet among the Chinese context, his experience rational belief in his commitment to both literature made him kind of postmodernism is suspicious in the face, while he was assigned to modernism is simply a kind of lazy. And analyzed by Hassan "carnival" coverage of the rich but avoid simple categorization of referential Wang Xiaobo, unique style all levels, not only contains black humor, games and more highlight the ontology of the imagination, and style mean more strong, so I follow the "Carnival of Style" in reference to the novel art of Wang Xiaobo unique to examine its origins and founding of the trail. Wang Xiaobo broad deep literary sources, ancient and modern are covered, but the spirit of his novels and novel techniques more Western influence, showing many aspects of the European novel: surging imagination, wisdom, humor, Fang Zi games and explore novel forms of so fanatical passion. Spirit in the novel, Wang Xiaobo with Kafka, Günter • Grass, Italo Calvino, Milan • Kundera, Borges, etc. in the 20th Century masters return with the birth of the first novel source: that is pulling Bray, Cervantes, Boccaccio were to the freedom of unrestrained imagination Happy Carnival to build a world, a vast open, ambiguous world of relativity, a whimsical fun in the world; Kundera calls " The invention of humor. " Of course, advocating fantasy, imagination, fairy tales and fables of the 20th century novel is different from the literary renaissance. Calvino in August 1970 Symposium on the fantasy, said: "the seventeenth century the spirit of elegant romantic fantasy is a product of popular literature soon became part of it. But in the twentieth century, intellectual (not another is the feeling of) fantasy become paramount, which includes: games, irony, winked, and the modern hidden desires and nightmares of contemplation. "? Wang Xiaobo and 20th century European and American masters of literature with the source close to the beginning of the novel, Also make deep philosophizing toward driving, so the old juice Rabelais in his works happily flow, boundless imagination of any thinking of carrying light to soar, the carnival of style (on Wang Xiaobo is the essence of black humor) and the Chinese traditional blend of humor, satire, created their own unique. 1, Intertextuality Intertextuality (readers found before or after a work and its relationship to other works) is a common literary form, the aesthetic process is to produce the unique mechanism of literary reading. In the post-modern writing, the sex ratio between the text more actively involved in work before the whole structure of the novel "intellectual game" a good career move. Intertextuality most common method is to rewrite the traditional text and convert hot Knight in "the disappearance Manuscript" in the text of this cross (ie, between the text of) called the "Order of Text", bearing the text is Based on the graft in the blueprint is made, the text is more than dollars are "real literature" (fictional fictional). ? commitment means the transformation of text into a simple transformation (direct transformation plot copy) and the indirect transformation of (imitation paradigm of narrative genre another story). Most postmodern rewriting transformation is indirect, imitation is the means to generate new stories. It has a rich performance, making the pirated copy system and is as real as the prototype, or even bring a "life-proliferation", in which the continuity and discontinuity, elite culture and popular culture, elegance literature and popular literature, fiction and non-fiction, literary and philosophical, literary and other artistic interchange, imitation is no longer present in the imitation of it to expand in the past, all the dialectical style now appears in a non-present, interwoven with the diversity and difference are in the. Wang Xiaobo appreciative Yourcenar "Oriental Wonder" and Italo Calvino, "our ancestors", the two writers (two works) are rewriting the text of the conversion of traditional master (good structure). Wang Xiaobo shown early in the writing of the rewriting of the hobby, such as "Immortal," "this life"; on Rewriting Tang displaying his amazing imagination to clean up the battlefield, will open up his Yourcenar Calvino's commune of the road. In his rewrite, the science fiction (dystopia novel), detective novels ("Uncle Valentine", "looking for unparalleled"), martial arts fiction ("Night in mind", "Manjuji") and the pornographic novel (, "Running in the Night" so almost all fiction) is seamlessly integrated into the form, to bridge the elite culture and popular culture, fun way to achieve the purpose of conveying meaning. More importantly, he also extracted from the Tang Dynasty in the basic elements of action, such as Running in the Night (the pursuit of liberty), looking for unparalleled (find historical truth), making the history of mankind constantly recurring motif, which greatly Dig a novel interpretation of space. Secondly, Wang Xiaobo, Deputy text many times (such as title, subtitle, Internet-based title, preamble, Postscript, told readers, the words front, etc.) that some of the light of the text, by means of imitation, parody, irony, insinuation, added to create a complex interpretation of the network, for the narrative note Ruzhe Si and wit, push the text next level, but also to candidly show of enthusiasm for intervention, the desire to share with readers. In addition to the text between the nature of the overt manifestations, Wang Xiaobo in the novel is also a large number of references, reference and allusion other text. Such as "Running in the Night" • Milan Kundera on "off" reference interest startle; Another example is the invention of Wang Xiaobo equipment manufacturing and fascination with reference to his favorite Western fiction, such as Swift's "Gulliver Travels, "Kafka's" In Exile ", Calvino's" Cloven Viscount, "and so on. In addition, the "2010" and Zamyatin's dystopia novel "We", "Manjuji" and "Robinson Crusoe" depicted in some scenes the similarities are obvious. Of course, the most cited, learn from the black humor Novels. Wang Xiaobo best, absurd distortion of reasoning style guide technique reminiscent of "Catch" the logical trap; Hong Fu, Yu Xuanji "gallows humor from the" is black humor of the unique hidden weapon. Wang Xiao is not insinuating elegance in word games (playing implication to display erudition and smart), but the referential reality to facilitate the means of. His novels and essays often hybrid symbiosis, in the unfettered imagination to start real world dimensions. "Manjuji" the old prostitute, prostitutes struggle of small equivalent academic dispute with the liberals, the implication is a form of mapping the small bridge leading to the shore. More importantly, he realized the irony of a wide range of tone to the text of the element mapping; his novel in the traditional sense, is meaningless, no history, no morality, no culture, no structure, no value, is the traditional Literature treason and subversion. Inter's extensive use of text so that Wang Xiaobo fiction novel book exudes aroma of scholars, to challenge the reader's cultural qualities. Writing of this intellectual attitude to Wang Xiaobo and diversity, show the trend of popular culture beyond the elite culture of high quality. 2, narrative: the French New Novel Group, and Calvino Duras Wang Xiaobo that the highest achievements of modern fiction Calvino, Yourcenar, Günter • Grass, Modienuo, Margaret • Duras, the devaluation of Duras, and Calvino. In his "view of my novel" and "Gates of the straitjacket," spoke of Duras said: "I view the modern novel, is to be" The Lover "fixed down." "This book is extremely beautiful lies, it was a rhythm of life. the book's sexual and other life events, are organized according to a certain rhythm, so I completely satisfied. "addicted to reading Calvino Wang Xiaobo, recognized his explore the infinite types of writing, and explicitly recognized mainly for the copy of Calvino's novel. Wang Xiaobo is also very familiar with the French New Novel Group, the genre in art to explore and experiment has been carried forward subsequent modern novelists, such as a particular thing or incident angles, multiple sexual description, multiple spatial and temporal overlap, and acoustic-style performance of the structure, timing of free arrangements, still life's meticulous accuracy and so on. The following analysis will attempt to compare the text in the narrative analysis of some characteristics of Wang Xiaobo. 2.1. Objectivity and irony Indifferent writing is purely objective sign of post-modern. Wang Xiaobo's language is a language of nature and objective of their language style, this style of writing and his science students Zijin logical rigor and scientific reason complement each other. His sentence patterns, such as "should be explained that ... ..." "I know ... ..." "All in all ... ..." and so on show this characteristic. This language does not pay attention to texture analysis (tone color) in favor of the alleged analysis (only to convey meaning, tone color excluded). Although people occasionally to point to Beijing tablets children's saying, but very little direct quotation, is inclined to rationalism and more indirect quotation. Objective of the relevant skills and irony is itself a form of irony. DC Mick "On Irony" summed up the irony of the five basic characteristics: (1) appearance and the fact that the controls; (2) confident, and ignorance, that the representation is the representation (the irony of those who regard such an attitude is a sham, and In those areas by the mockery is true); (3) that the representations and facts were asleep on each other into the attitude of the Comedy; (4) overriding factors (a commanding sense of detachment and a sense of pleasure); ( 5) The aesthetic factor. ? so-called superior is to maintain aesthetic distance from the object and objective attitude in contemplation, so seemingly objective and fair tone is a common sign of irony. Irony is the nature of metaphysical philosophy, civilization and the modern writer to critique and reconstruction of an artistic point of view the most representative of the narrative strategy, but also the overall dimensions of the text form of the writing behavior of meta-fiction self-reflective nature of romantic irony. Ambiguous and transparent and effective realization of the profound meaning of irony is a rhetorical device to convey. Wang Xiaobo novels lack a holistic philosophy and romantic irony irony, but the head start is reflected in the language and the surface structure of verbal irony and situational irony. Although Wang Xiaobo able to write a penetrating feeling, or wonderful metaphors and descriptive text to create a poetic atmosphere, but he has to avoid the conventional language of subjective emotion, the personification of description, try to keep calm and collected while a cold Also serious tone, expand the narrative understatement to deeper more attractive to show the edge of criticism and satire. He also often wear a mask, playing a character out of date cunning use of comb a version of "logic" create comic effect, to maximize the role of irony: a minimum of hyperbole have the greatest effect. Wang Xiaobo objective description of nature's most remarkable, Dai Jinhua, Li Yinhe, Xu Xun, and others have this wonderful review, this is the source of interest. The calm mind is the renaissance of sexual discovery, was made of Kafka from the bourgeoisie out of the fog of romantic passion, as each of the usual basic fact of life. Kafka also further is also sexual in Wang Xiao great source of irony describes the nature of comedy --- and humor, especially when it is to abusive / abused in the way of unveiling the mechanisms of power when running. Interestingly, "The Castle" Voyeur lewd scene in the "golden age" was launched in Yamanashi Chen was laid a windowsill. 50's French New Novel Group of Lord Alain • Luobogeli leaf to promote "things of this doctrine" to counter the humanistic, critical, "consecrated psychological analysis", called "abandoned on the 'depth' of ancient myth," that the world is only a plane of the final analysis, neither glory nor transparent hypocrisy. "We have to create a more solid, more intuitive in the world, to replace the existing of such full psychological, social and functional significance of the world. So that the first object and the attitude there is going to happen to their role, so that their existence your visit to fall in an attempt to put them on top of any system of theoretical explanation, whether sentimental, sociology, Freudian, or a metaphysical system. "? must reject this implicit in literary language, metaphor and magic like vocabulary, the use of visual, descriptive words --- limited to measurement, location, restrictions, describe. This is actually a kind of unfamiliar practices, Duras "The Lover" is the case of sexual description, it is a more plain language of the more touching. Wang Xiaobo's sexual description of "Valentine" science-based and objective calm, while a trace of humor sharp and close to Milan Kundera's style •. Because in his view of human nature is not only natural, and nature can be cool all the same observation, objective description of the object, and it is the historical perspective of the microscope, to the slightest power to complete the operation is to reveal the secret. • Milan Kundera as the same sex to start with Wang Xiaobo's poetic meditation on existence, reveal the soul and body, the tangle of human life and the tragic absurdity, he described in an objective description of nature, all from the comic this. Wang Xiaobo novel from the time points can be divided into three categories: realistic novels ("Golden Age" short story collection), historical fantasy novel ("Bronze Age", "Chinese Story"), dystopia novels ("Silver Age" "Iron Age", medium-length "2010"). As a hint of irony, negation, and uncovering the nature of the euphemistic rhetoric of seclusion practices, irony in the history of fantasy fiction and dystopia novel use for granted. Wang Xiaobo excels is almost romantic novels in the recent "golden age" in the use of irony, wisdom and love poetry to write a new chapter. Since the objective description of nature, "Golden Age" of the statement of love until the end of the novel restraint only slightly relaxed, unlock secrets to adding that Chen was in 20 years to recognize the existence of love, not pleased to see that people do not: the king Second, and Chen was materialized in the flesh seems to relations (mutual "use") is still good and the dignity of love. The end of the "lover" very similar, which also has to reject the love of emotion caused by sensual and emotional conflict, until towards the end of it all was a big difference. As Muehrer • Kalegelu Bell on "The Lover" wonderful comment: "beyond the conflict, indicating a more subtle, including a subtle tension, showing the love and feelings of physical love must be the same experience the two sides, that is, the experience of time. physical love to maintain the joy in the moment --- ecstasy. The emotional distance is required, meditation are duty-bound, time stretches. In the process, according to the above, the lover of the deformation is bound to re- In his autobiography, written judgments of the core status, which is written in the period of reflection. "?" golden age "of the objective of describing practices and irony do not drown the enthusiasm of young and love of beauty, which is also the most moving novel The most valuable of the Department. 2.2. Structure and rhythm Wang Xiaobo's novel structure on a variety of formulations such as "multi-dimensional narrative space", "time and space of the narrative structure," "ancient and modern synchronic structure", "symmetric" narrative structure, "the subjective" narrative structure, " dialogic narration, "and so on, all point to one fact: Wang Xiaobo's novel has a complex narrative structure. He was always open up the history, present and future of various time tunnel, during which free crossing. Explore the form of a master of contemporary Italian novelist Italo Calvino novel experiments in the Exotic to the structure of a new guise: 60's creation, "our ancestors" trilogy and other fantasy novels; "Castle of Crossed Destinies" (1968) with cards different combinations of start screen narrative, painting and plastic arts approach to the introduction of literature; "Invisible Cities" (1972) in the space of imagination and metaphor to start urban scene, organization strict symmetry; "Winter Night" ( 1979) by the main story (male and female readers continue to read, continue to seek an answer), and 10 only at the beginning of the novel form, by critics as "a chain set novel" (each one end of the novel and the comic, under a mutual , and the book's beginning and end of collusion with each other). Calvino on Wang Xiaobo affected in two ways: first by rewriting ride in a virtual space in the imagination, give full play to the fiction novel function; second is to explore the structure of post-modernism. The latter is mainly reflected in the "Manjuji" text experiment. The text reveals the most obvious form of Wang Xiaobo in the art beyond the previous ambitious exploration: its structure is far too complicated, "Winter Night." If the "Winter Night" is a "novel about reading fiction," then "Manjuji" is a "novel about writing novels." Main plot (the Framework) is the loss of memory of the "I" in the manuscript was found, repeat the process of manuscript restoration memory, which is peppered with: (1) Xue Song Stories of the old manuscripts; (2) "I" in the not restore memory Xue Song when rewriting the story; (3) prior to the loss of memory is good, Xue Song written after the restoration of memory onto the story top of the tower to repair the boiler; (4) To "and leave no memory of life" and written Story: Long Augmentin situation. Keep the whole story began, repeated again and again. Receiving Lu Calvino in an interview with the six, said: "In this novel (from" Winter Night "--- cited by note), I would like to look into how the novel start to have a special power, study Novel techniques of art to attract readers; of dramatic events so that readers become 'prisoners' skills. "?" Manjuji "also showed the same intention, Wang Xiaobo immersed in weaving the language of excitement unable to extricate themselves, so the text just as the sun exposure continuous fermentation of dough, leaving only a pile with the students with the ultimate destruction of bubbles. Wang Xiaobo's other novels is not "Manjuji" so complicated structure, but time and space, order and chaos in the performance of a new novel way to send, to send such black humor Postmodernism obvious structural features: no consistency. • in the masterpiece Kurt Vonnegut, "Slaughterhouse Five" in the side of the declaration of this writing skills: "the story without beginning or middle, no end, no suspense, no preaching, no antecedent, no consequences. Our books to We are like that: suddenly Wang Xiaobo's novel is this: see a lot of wonderful moments of profound truth. "? upset the order of time and space, to the readers to an unexpected surprise and emotion to stimulate thinking. He also adds another layer of time and space for the novel: the story of King II, "Bronze Age" of the three ministers all articles of this structure. This approach stems from a new novel spatial overlap of multiple parties, and sound structure of exploration, the Peruvian writer Mario Vargas Llosa • Also tied to this ancient and modern blend of the dual structure known as the "connecting pipe", and its function is through the different time cross mixing to plot each other "contacts", added meaning, atmosphere, symbolic, etc., was the integration of the unity of effect. Wang Xiaobo two-tier structure of space-time well, to establish a delicate antiphonal singing the melody so that the text to achieve the time of breakthrough: the personal life to expand the collective memories of the time --- the mystery of the human living environment of Intellectuals, exceed the personal life of this world restrictions, the number of historical periods embedded their own space. When the Tang Emperor Li Jing in support of the construction of a utopian city of Chang'an, as "centenarians", the king 2 is also released by the Deputy Head of Fermat's theorem, became the "Outstanding Young Scholars"; Vision yangfang residents of repression and massacres of forgetting, as we today make iron and steel, forgetting the Cultural Revolution. And the reality represented by the king two dimensions has made the narrator off mask to remove the disguise story seriousness, and often lead the reader into the second man and his deeds the king is another fantasy world. Perhaps more important is it for the ancient authors say this to accuse the ills of the "Essay complex" quietly open the door, the narrator's own story and his words constitute a narrative wit thought, philosophy, cultural background. Finally, the "connecting pipe" also describes the pace of change and improve the role of narrative effect. Of Duras's highly valued by Wang Xiaobo, the production of such basic elements of music rhythm is repeated. Muehrer • Kalegelu Bell called the vertical aggregation narrative, it makes some kind of action sequences or the same word repeated (such as ferry across the river), details of the changeable, so that real time to break the linear narrative The change of time or the mental image of time. "Golden Age" is the first chapter of Chen was looking for a few paragraphs of "I" to discuss the issue of duplication of a tramp, including three fantastic but make sense for a logical argument, namely that Chen was a tramp, I blinded the captain home bitch left eye, I Chen was having an affair. Although the "I" and Chen was a prelude of love is so absurd funny, swing back and forth the narrative rhythm is still giving a sweet and melancholy recollection of events: 1 Unit of heat waves beat against my heart, rise and fall, grass house in the discussion at a meeting of all the memories back in gradually. Later chapters are also followed suit, only to repeat the method of diversification, and such account of materials, Chen was the memories, etc.. The whole story is in turn push up one short paragraph in a narrative, repeated in each section changes and advance to the golden age of longing is always echoed in the narrative process of winding back and forth, this is Duras so-called "life rhythm. " • Soren Kierkegaard in accordance with the "repeat" the existence of a Marxist interpretation of the text, repeat the only true spirit of freedom in the field, the individual will inevitably fall into the spirit of despair limited, but you can repeat the leap into eternity with fields , so happiness is the desire of the repeat. ? so novel in the endless repetition of human life and beliefs; the one hand, metabolism, evolving; on the one hand return to the starting point, again and again, endless cycle. Wang Xiaobo's painful sense of not only the existence of the novel into the same rhythm --- like Duras, but also against the system, which consistent flow of young blood, "Golden Age" So has the edge sword style is compelling and dazzling brilliance. 3, black humor Wang Xiaobo carnival and sports constitute the background is black humor. Wang Xiaobo send black humor to create a breakthrough in the United States territory of literature, not be misled by the formation of personality style, satirical humor of modern Chinese art of making a unique contribution. The black dark component (Tragedy component) and the humorous elements (comedy elements) closely, in the performance of humor in dull despair, but from laughter, mix of despair, helplessness, cruel and absurd black humor is affectionate to think of There's something the human mind, ancient Chinese literature, opera, there are abundant examples of black humor, but they are sporadic flashes, no scale. Black humor as a genre popular in the 60s of the 20th century the United States, represented by Joseph • Heller, Thomas • Pynchon, Kurt Vonnegut and the pioneer West • • Vladimir Nabokov and the French writer Celine. Wang Xiaobo very familiar with the development of black humor to send clues to the Celine, Nabokov, Joseph Heller and others • have mentioned many times and works of reference. As the black humor is under the influence of existentialism, it first finds of human existence is essentially absurd. Although some works more inclined to real life, social and political satire absurd side, but most do not want a deep analysis of the real world, showing desperation and failure characteristics. Some people criticize black humor Laughter is sick, nasty, full of melancholy pessimism, and unwilling to bank on the slightest smile of joy; it weird frosty face an extremely fine romantic impasse, impede the performance of emotion, so that inference ability to not play, deliberate indifference can easily transformed into a very cruel heartless. This s "The Manjuji" game to do well in pen and ink (red line repeated description of Xue Song assassin to kill various kinds of homicide may be the exhibition). But Wang Xiaobo of death, torture narrative often point to the authoritarian, totalitarian, violent criticism and complaints, imbued with the replacement and regeneration of carnival passion. More importantly, Wang Xiaobo's world view is different from the Absurd. His reason, science, art a kind of instinctive love, convinced that human values and dignity, certainly from the historical progress of the level of industrialization and modern civilization. In the "type of claustrophobic novel" in which he criticized the Ailing nightmare as all the cage and to write, "with the most profound sense of emptiness" and "claustrophobic type novels." He said: "I was originally the sciences, the sciences do not recognize the cage unbreakable, but do not believe there shake off the nightmare; life is the only unfortunate own incompetence." Absurd, therefore absolutely no give in the form of Wang Xiaobo absurd nature of the novel, his novel is to real life, filled with the heroic spirit of iron and blood man named Kunshouyoudou. He told the Chinese people --- especially the human suffering of the spirit of intellectual life Breakthrough to give up the "54" since the "Save the children" of the Enlightenment position, but also different from the new period of catharsis and digestion (both oriented spirit of the hopeless unfounded), but from the liberal standpoint, the freedom of the people (internal and external) as one reason for man to realize the ultimate value of individual life under the authoritarian regime to a high degree of concern about heavy spiritual laceration and trying to do from me to save. Age trilogy by the dilemma of intellectual absurd fate, reveals the history of rationalism, the survival of manufacturing reality: Paradox, dilemma, abnormal and absurd. He's the hero as King II, Li, Jing Li, Hong Fu, are all pretend to dementia, Speed is of the people, they think about their own existence, the creation of the United States, sexual desires, have the courage and the desecration of sacred authority and power games Dances with Wolves --- --- relaxed and detached, not unbearable, sick black humor novel, tremendous power was irresistible juggle too listless plaything or social alienation of the victim. Wang Xiaobo's novel suggests readers: No matter how crazy and chaotic world, there still exist some sacred things --- cherish love, poetry, invention, creation, ... ... real human desire, human pursuit of freedom not dying. Black humor to send a stunning surreal ironic imagination, and they have to explore as there is a tendency to metaphysical speculation by Wang Xiaobo is also longer than the illusion to symbolize. His black humor imagine ugly, dirty, disgusting, brutal, grotesque side show type of children from the horror of the invention happy, indulgent imagination and desire for the game and the game's aesthetic attitude, which in the "Bronze Age" in criticism. However, Wang Xiaobo urchin-like imagination also carried out a fairy tale and fable, a world of vulgarity, "Qing Yi" fantasy world. Calvino that "generations of literature can be said that there are two opposing tendencies: a tendency to make language into a weightless thing, like clouds floating in a variety of things, like above, or as fine dust, like the magnetic field lines in the radiation field; the other will have to give the language a tendency to weight and light of three thickness, so with all kinds of things as concrete objects or feelings. "? means: ( 1) To reduce the weight of words. (2) describe such a thought or mental process, which contains a subtle factors can not be perceived, or the description of which a high degree of abstraction. (3) symbolic "light" image. Wang Xiaobo that Calvino's "our ancestors" is "Qing Yi" model, and his own "Running in the Night" is also a unique imagination, full of light and elegant words, thoughts and images of Masterpieces . Fairytale Chang, walking on stilts in the mud people of Luoyang city, into a flat shape Leisurely Tour of Qiuran Gong and Hong Fu, Li Jing quirky mind changes are made in the imagination flying butterflies, black humor to disperse the haze, the desperate innocent smile into laughter. This imagination is not so much black humor style, it is more Calvino-style. Wang Xiaobo is such a class of writers, they can not be stop by a strong dream-like thing seized the imagination to make a big difference in the world, gives us a rich novel fun to read. Wang Xiaobo's black humor, an extraordinary imagination, literary fiction only solution, not only broke Lu, Sha Ding, and other modern writers to create the objective reality of ironic humor of the old routines, and even in the same ironic imagination by winning contemporary fiction (eg, Liu Zhen, Mo Yan's part of the novel) is also unique. His novels, both allegorical or symbolic thought the overall feeling, but also easy to imagine the natural way the narrative is full of every small unit of the enzyme to become excited reading pleasure, nuanced imagination enough to compare favorably with Kafka. On the other hand, Wang Xiaobo again humor and seriousness, the themes closely, so the two complement each other, which stands out even more contemporary novels. Although the prevalence of Humorous contemporary fiction, but the convergence of the attack claws, eroding a critical edge, humor, like T-shaped stage of jeans or a dance contest in the tango, wild dynamic off, leaving only cat-like sweet enchanting, elegant and loose the. Especially those with "new" look there, depending on the games themselves for the existence of this fiction novels, it is cynical to treat life and art, all the suffering and the value of wanton ridicule, infected with a deep post-modern crisis of color. Zhuo Wang Xiaobo is not exactly a strong group of modern anxiety. His ironic humor, games, pen and ink, have been mobilized extraordinary imagination to get together point to a goal: the totalitarian dictatorship. He is different from Wang Shuo, Xu Kun Chu and even where the text is that he is a firm believer of liberalism, he was unable to digestion their social concern and political enthusiasm, since he can not survive the environment the individual from self-deception to transcend yourself, such as Lu Xun said, like pulling my hair out with the earth; but can only choose to create change in life, in his view this is the meaning of writing. Dedication to the ideal of the rational value to ensure his conviction against the regime of bravery and sharp criticism made him over half a century of vicissitudes, and Lu Xun Enlightenment value system represented by the distant echoes. 【References】 ? Yi Habu • Hassan: "post-modern landscape of pluralism," Popular culture, yet the water code, "Postmodern Culture and aesthetics", Beijing University Press 1992, pp 129-130. ? Ai Xiaoming, see "Narrative of the spectacle - of Calvino ", see [law] Margaret Lite • Duras "Valentine • UFA blue-eyed," kingly dry, Nanshan Translation, Shanghai Translation Publishing House 1997, p. 217. ? Lu and the six: "the soul of the Mediterranean --- Italy, literary perspective", Social Science Documentation Press, 1993, p. 279. ? • Kurt Vonnegut: "Slaughterhouse Five", Routledge 1998, p. 69. ? [Danish] Solon • Kierkegaard: "Repetition", Wang Bohua translation, cultural Context schools, Flowers Press, 2000, pp 4-6. ? Italo Calvino •: "American speech", see Lu and the six, Zhang Jie editor of "Collected Works • If on a Winter such as Calvino," Routledge 2001, p. 330.